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57 pages 1 hour read

All the Dangerous Things

Fiction | Novel | Adult | Published in 2023

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Prologue-Chapter 11Chapter Summaries & Analyses

Prologue Summary

Content Warning: All the Dangerous Things depicts emotional abuse, miscarriage, postpartum psychosis, and child death. It also references drug abuse and suicide.

Isabelle Drake has not slept in 364 nights, as she has grappled with the mystery of her son Mason’s disappearance.

Chapter 1 Summary: “Now”

Isabelle shakes herself out of a daze, as someone tells her that it is almost time for her to give a keynote speech. She ruminates on her relationship with coffee and need for familiarity before she follows an assistant to a large auditorium. A man on stage introduces her to the attendees of TrueCrimeCon, and she walks to the podium. Isabelle looks at the crowd of mostly older white women and studies t-shirts that blend pop iconography with true crime references. Although disgusted at the enthusiasm she sees, she begins her speech.

Chapter 2 Summary

Isabelle dozes in her seat as her plane prepares to depart. She asks the flight attendant for soda water as she surveys her fellow travelers, trying to guess where they are from. She reflects on her speech, which she engineered to be attractive to audiences while knowing she cannot be too honest about her pain. Isabelle begins to spike her soda water with vodka when her seatmate, a man with a tote bag from TrueCrimeCon, arrives. She despises people who invest their time in true crime but knows their capabilities when it comes to research and remembering cases. The man compliments her speech and invites her onto his true crime podcast, introducing himself as Waylon. Isabelle rejects his offer but accepts his business card.

Chapter 3 Summary

Isabelle arrives home in Savannah, Georgia, at two o’clock in the morning and greets her dog, Roscoe. She takes him on a walk and thinks about her first meeting with Dr. Harris, the doctor she has been seeing for her insomnia. She catches sight of herself in the mirror and notes that she looks years older than she did before Mason’s disappearance, as both anxiety and insomnia have impacted her physical health.

Isabelle walks familiar streets and looks at the marsh at the edge of her neighborhood. When she returns home, she eats leftovers and looks at her dining room wall, which she has covered with information pertaining to Mason’s case.

Chapter 4 Summary: “Then”

In the past, Isabelle wakes up in bed with her younger sister Margaret, who followed her to her room after she awoke to Isabelle staring at her. Isabelle apologizes for sleepwalking, a tendency she developed over the last several months. The sleepwalking scares Margaret, and Isabelle wishes she could resolve it. As the sisters get out of bed, Isabelle notices muddy footprints on her carpet and realizes she must have walked outside the night before.

Chapter 5 Summary: “Now”

As Isabelle showers the next morning, she thinks about commonplace tortures and compares them to her insomnia. She gets a cup of coffee before opening the envelope that contains her “speaker’s fee,” a list of the conference’s attendees. She searches this list for clues, believing that an attendee could be linked to Mason’s disappearance. Isabelle’s separated husband, Ben, arrives. Isabelle is tense as he asks about her well-being. The conversation turns to her keynote speech; Ben argues that her obsession is unhealthy, as are her performances. Ben pushes Isabelle to realize that Mason is dead. He hugs her, and she is briefly comforted before he tells her that he is dating someone. Isabelle expresses joy for him, but when he leaves, she touches his signet ring that she wears on a chain.

Chapter 6 Summary

Isabelle and Ben’s relationship deteriorated within six months of Mason’s disappearance. Ben came to terms with Mason’s likely death, but Isabelle’s insistence that he was alive drove them apart. In the past, Isabelle moved to Savannah after college to begin her job as a writer for The Grit, a southern-based magazine. She met Ben at an all-you-can-eat oyster bar after she spilled beer on him and pretended she needed help shucking oysters. When she kissed him, he did not reciprocate and left while she was in the bathroom.

Chapter 7 Summary

Isabelle looks herself up on the internet and finds an article discussing her keynote speech. She reflects on Ben and his faded feelings for her before reading the comments on the article. Some people express support for her, but others call her a “baby killer” or imply she has a book deal in the works (43). These comments remind Isabelle of some neighbors who blame her for Mason’s disappearance, believing that something malicious occurred. Overwhelmed with memories of Mason, Isabelle leaves the house.

Chapter 8 Summary: “Then”

In the past, Isabelle and Margaret descend the stairs of their massive family home, the historic Hayworth Mansion; the house’s role during the Civil War has made it a tourist trap. Isabelle makes omelets for breakfast before the girls’ mother joins them. The girls’ mother tells them that she wishes they could remain children forever and then laughs when Margaret announces she has named her new doll Eloise.

Chapter 9 Summary: “Now”

Isabelle walks aimlessly prior to her and Ben’s vigil for Mason. She arrives at a cemetery where she can see her old office building. On her first day at The Grit, her mentor, Kasey, asked if she believed in ghosts, citing Savannah as a haunted city. Isabelle walks away from the cemetery, fighting her memories. She arrives at the vigil and speaks with Detective Dozier, who tells her that policemen are present to observe the crowd. He pressures her about her speeches, and she offers to give him the names of the people at the recent TrueCrimeCon.

Chapter 10 Summary

Isabelle and Ben hug before making their way to the front of the crowd. Ben thanks people for coming and asks for a moment of prayer. While people are praying, Isabelle looks for anything unusual. Afterward, she runs into Kasey, who expresses her concern. Kasey invites Isabelle to drinks with other members of The Grit staff; Isabelle, having left the magazine two months into her employment, turns down the offer. Kasey reminds Isabelle that she can ask for help.

Chapter 11 Summary

Isabelle goes into a cathedral for a moment of quiet. As she sits in the pew, she thinks back to her first day at The Grit, where she was introduced to her boss—Benjamin Drake, the same man she kissed at the oyster bar. Ben is wearing a wedding ring at the time. He asks for a moment alone with Isabelle. He compliments the article she submitted with her application, a piece about a mother dolphin grieving her dead calf. Isabelle is startled back to the present by a woman touching her shoulder because the cathedral is closing. The woman invites her to a grief counseling group. Isabelle follows, and the woman introduces herself as Valerie. Isabelle leaves the grief counseling meeting, deciding not to attend after all. As she reaches for her car keys, she finds Waylon’s business card. She begins to write an email.

Prologue-Chapter 11 Analysis

Isabelle emerges as a character who is simultaneously haunted by and obsessed with the past. Her daily existence is filled with reminders about what she has lost, leading to constant ruminations on the life she has lived—the life she wants back. These ruminations appear in frequent flashbacks to both her childhood and the inception of her relationship with Ben, creating a narrative with an ungrounded timeline. This reinforces the ways in which Isabelle feels out of place in the present, having been stripped of her titles of wife and mother. Her focus on the past is part of her fight for motherhood, desiring to find Mason and reclaim a piece of herself. These flashbacks also represent the symptoms of Isabelle’s insomnia. She comments on the way her lack of sleep impacts her thinking, changing both her memory and behaviors. By dancing between three timelines, Stacy Willingham simulates Isabelle’s struggles with concentration, laying the groundwork for Story Versus Truth. Isabelle’s memories are her own story of her past, the events of her life filtered through her own understanding. Her limited perspective, paired with the power of her own beliefs, makes her an unreliable narrator. Her unreliability increases over the course of the novel, but its foundation is laid in this section’s moments of confusion and remembrance.

Ideas surrounding Story Versus Truth are also made prominent through Isabelle’s speech at TrueCrimeCon. In performing her speech, she provides her audience with the truth of Mason’s case, but this truth is filtered. She acknowledges the narrative nature of her speech when describing the ways she changed it to be palatable; however, when Waylon later asks her to tell her story, she reacts strongly to his use of the word, instead emphasizing that her story is her life. Isabelle blurs story and reality, holding both in her head as truth. The ambiguity of the terminology of her life reflects the ambiguity of Mason’s case. To call the case a story means she is acknowledging either a level of fictitiousness or a level of finality to Mason’s disappearance. By calling it her life, she is empowered to continue believing he is alive and that the case will eventually be solved. This precarious balance between story and life is also illustrated by Isabelle’s old article about a dolphin grieving the death of her calf. Like the dolphin, Isabelle places her suffering on display, sharing her mourning with the world in a way that is both necessary and trial.

Waylon initially serves as a symbol for the broader true crime community. Because Isabelle does not yet have the background information necessary to disrupt this perception, she initially sees him as a necessary evil, an undesired comrade in her effort to reunite with Mason. Waylon’s podcast gives her the opportunity to publicize Mason’s case to a wider audience, but in doing so, she must cater to people who are fans of her tragedy. Her eventual decision to join him on his show is part of her broader integration into true crime; she works with him out of necessity, understanding that she is creating content for the very audience she hates. The irony of Isabelle and Waylon’s interactions stems from her lack of interest in him as a person. Because she sees him as a means to an end, she takes him at his word and does not look into who he is—research that she does for every person who attends the conventions at which she speaks. This disconnect allows his subterfuge, providing a barrier to Isabelle finding her son.

Although Ben is one of the novel’s antagonists, he begins as a sympathetic figure who seemingly has Isabelle’s best interest in mind. Ben appears to mourn his relationship with Isabelle, frequently citing his worry for her well-being and insisting that she accept Mason’s death. These moments become sinister with the full context of his involvement in Mason’s kidnapping; he insists his own son is dead, displaying a high capacity for psychological manipulation. This is also reflected in his first interaction with Isabelle. On their first “date,” Ben intentionally withheld critical information from her, failing to mention his marriage or that he was her boss. This increased his power over her, as he gathered knowledge without sharing anything about himself. This early behavior establishes a pattern of control that is more broadly reflected in his relationships, creating an unquestionable link between his need for power and capacity for violence.

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