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59 pages 1 hour read

American Rust: A Novel

Fiction | Novel | Adult | Published in 2009

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Book 1, Chapters 5-9Chapter Summaries & Analyses

Book 1, Chapter 5 Summary: “Harris”

Shortly before Isaac and Poe approach the vehicle (where Chapter 3 left off), Police Chief Bud Harris sits in his SUV with officer Steve Ho, staking out the machine shop; he has a hunch. Harris lives in a remote cabin, “[n]ot a place any woman would ever want to live” (54). First on the crime scene—tipped off by an anonymous phone call—Harris saw Poe’s letter jacket and hid it before other law enforcement arrived. His legal philosophy rests on flexibility, on letting some things slide while enforcing others, depending on the person and the circumstances. For now, he chooses to wait.

Soon, he sees Poe and Isaac approaching along the railroad tracks. Knowing Poe, Harris assumes he and Isaac got drunk and that Poe beat the man to death and is now coming to remove the evidence. He sees little hope for Poe but wonders if he can save Isaac from a similar fate.

Book 1, Chapter 6 Summary: “Isaac”

As Isaac and Poe approach the machine shop, they see Chief Harris’s SUV. Poe seems completely at ease, and Isaac fears his friend will let all the blame fall to him. They approach the vehicle. Harris dismisses Ho and addresses the young men. He asks if they come here often; they say no. He asks if they’re up to trouble; they say no. He says he’ll give them a ride home, and Isaac and Poe climb into the SUV. Harris tells them to stay away from that area, and as they drive back toward Buell, Isaac still fears he will get in trouble. He can see his future: first-degree murder conviction and possible death sentence. Harris pulls up at a bar and gives them the option to call for a ride or let him drive them home. Poe opts to call. When Harris asks about the cut on his neck, Poe is evasive. Before he leaves them, Harris insists they don’t walk home but get a ride. He doesn’t want them out on the streets. Inside the bar, Isaac calls his sister, Lee, for a ride.

While they wait, Isaac tells Poe that Harris has probably discovered his jacket, but Poe dismisses the idea as paranoid. When Lee arrives, Isaac wants to leave. However, Poe wants to reconnect with Lee, whom he dated in high school, so he suggests they get a drink. Lee questions her brother, but he doesn’t tell her anything.

Book 1, Chapter 7 Summary: “Poe”

Poe walks with Lee, confident that Harris has “taken care of things” (66); he believes that Harris is too apathetic to really care about the dead body at the shop and that the police will probably drop any investigation. A sullen Isaac walks behind, but Poe ignores his friend, overcome with desire for Lee. They find a bar—inside, a wedding reception is taking place. The sight of the new bride reminds Poe that Lee is a new bride herself, and he has second thoughts about trying to seduce her. Lee gets a couple of beers and dances with some locals while Poe looks on. When she returns to Poe and Isaac, one of her dance partners, a marine, pursues her, nearly leading to an altercation with Poe. When the marine stumbles, Poe notices his prosthetic leg and realizes he might have injured the young man.

Outside the bar, Poe sees his life for what it is: His “mistakes are piling up” (70). They drive home, and Lee invites Poe to stay for a drink. He knows he shouldn’t, but he can’t refuse. They sit on the porch, drinking wine and discussing their past. She apologizes for not telling him about her marriage but argues that her husband’s financial resources will enable her to care for her ailing father. The marriage, however, is not a happy one, and soon, she and Poe are making love. In the aftermath, his emotions are conflicted. He decides to leave, choosing to remember Lee this way—the way it used to be. As he walks away, he notices movement in Isaac’s bedroom window.

Book 1, Chapter 8 Summary: “Lee”

Although she regrets leaving town and abandoning Isaac, Lee realizes that she found herself—her identity, her peer relationships—at Yale. Her husband Simon’s family has agreed to pay for a visiting nurse, and once she hires one, Isaac will be free to find his own life. Examining her marriage, she focuses on Simon’s faults—his entitlement, his philandering—to rationalize sleeping with Poe. She’s also conflicted about marrying into a rich family. She doesn’t want to rest on her laurels; she intends to go to law school and maybe practice some kind of social justice law. She considers selling the house—they will have to, eventually—but in the current economy, it wouldn’t sell for much.

Her thoughts ricochet between Simon and Poe. Her memory hints at some trauma in Simon’s past—a car accident on an icy road—and she wants to cut him some slack, but her thoughts keep returning to Poe, even though she knows she would never be happy with him.

Book 1, Chapter 9 Summary: “Isaac”

From his open window, Isaac hears Poe and his sister making love. The sound triggers a series of memories: his father leaving his dusty work clothes on the porch, the last time he saw his mother alive. He feels petty for wanting to deny Lee and Poe their happiness; he wonders if he’s “turned out the worst of all of them” (83). He suddenly has a panic attack thinking about the dead Swede. He thinks about his sister’s life in Connecticut and resolves to reclaim his own but to do it smarter than he’s been: “You are not playing by the same rules as last week, even. No more stupid mistakes” (84). He dresses, preparing to fetch his backpack from where he left it buried near the crime scene. He realizes what’s been keeping him here—his father’s guilt trips, certainly, but his own insecurities as well. As he puts on his boots in the living room, Lee wakes up. She tries to explain what happened with Poe, but Isaac walks out the door.

Book 1, Chapters 5-9 Analysis

As the plot creeps forward, Meyer brings in additional characters and their detailed backstories. Police Chief Harris is a lonely man who lives isolated atop a mountain, but he’s also a law enforcement officer who relies more on his knowledge of the townspeople and his experience with human behavior than on technology and weapons. Isaac’s older sister, Lee, is deeply conflicted over her life choices; she’s made the right decision for herself by getting out of Buell and going to college, but she’s plagued by guilt for leaving Isaac to care for their father and for marrying into money. While she rationalizes her marriage by telling herself the money will free Isaac from his caretaker duties (as well as promising herself she will attend law school and devote herself to noble causes), she can’t escape the gravitational force of her past, including Poe. While she knows a long-term relationship with him is out of the question, she can’t help minimizing Simon in her mind to make room for Poe and their indiscretions. American Rust is a story about people trapped by their past and by the scars left by an economic devastation that few have escaped.

The defining incident of the narrative, the murder, is unresolved at the moment, and Harris makes some unsupported assumptions. Having found Poe’s jacket at the scene, he surmises that the young man—troubled, as he sees it—has gotten into another brawl, but with deadly consequences this time. Harris commits a crime of his own by hiding the jacket, trying to decide whether to let Poe skate by… again. The law, for Harris, is flexible. Why ruin a young man’s life for killing a man (whom he would dismiss as a “bum”) who contributes nothing to society—especially when the police chief has romantic ties to the young man’s mother? Even that logic, however, strains credulity, and it’s unclear how long Harris will continue to cover for Poe’s mistakes.

Thus far, Isaac is the most inscrutable character—moody, guilty over not preventing his mother’s suicide, jealous of his sister’s sexual freedom yet hating the pettiness of his jealousy. Isaac’s own (implied) suicide attempt hints at a deeper pain that may not be abated by simply skipping town. Isaac wants what Lee has: the freedom to emerge from the cocoon of his past, from his father’s needs, and from his own fears. In fact, fear is the common thread that links most of these characters—a fear brought on by both economic hardship and the relational dynamics it engenders. In a thriving economy, both Poe’s mother and Isaac’s father might find the necessary support to allow their children to strike out on their own, but poverty makes ordinary risks doubly challenging. The possibility of losing what little resources one has makes playing it safe the only realistic option.

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