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It is the first day of school at Austin High School. Ari’s friends Gina Navarro and Susie Byrd ask him questions about his injuries. He tells that he saved “some guy” and the girls are in disbelief (159).
The English teacher, Mr. Blocker, asks the students an icebreaker about the most interesting thing that happened to them that summer. Ari tries to avoid answering but eventually says that his legs getting broken was the most interesting thing. Mr. Blocker asks him if it still hurts and Ari says no, a “small lie” (163).
Ari writes in his journal about how Dante taught him to swim. After he finishes writing he tears out the page.
Ari asks his mother why teachers do icebreakers with students on the first day of school. She says it’s to get to know the students. Ari says that students aren’t that interesting and she says, “You’re more interesting than you think” (165).
On the second day of school, a girl named Ileana signs Aristotle’s cast. He thinks her eyes are “like the night sky in the desert” (166).
At his 16th birthday party, Ari’s parents deliver on their promise to buy him a cherry red pickup truck. He wishes he could go for a drive to the desert with his brother and Dante: “that would have been enough of a party for me” (167).
Ari dreams he is riding in his truck with Ileana, but then he sees Dante in the road and hits him. His mother hears him screaming Dante’s name in his sleep. He tells her about the dream but leaves out the part about Ileana.
Dante writes in a letter to Ari that he loves riding the El train. He also tells Ari that he drank and smoked pot. At a party, he kissed a girl named Emma and writes that it was “well…nice” (176).
Ari thinks Dante “is complicated” (177). He wonders what kissing Ileana would be like.
Aristotle decides that he will “find a way to kiss Ileana Tellez” (179).
Aristotle continues to dream about running over Dante while staring at Ileana. He is also having recurring dreams about his brother.
Ari wants to find out why his brother was arrested. He wishes Dante could help him with his “research project” on Bernardo but decides he can do it on his own (182-83).
Dante is upset that Ari hasn’t written him back. He tells him about the Art Institute of Chicago. Dante wants to talk about the accident and thinks Ari’s rule is “inane” (185).
Ari leaves a note in Ileana’s locker. Gina tells him Ileana is “trouble” because she is a “woman” (187).
Aristotle studies newspaper microfilms at the public library to find information on Bernardo.
This section is titled “Letters on a Page” with an epigraph: “There are some words I’ll never learn to spell” (155). In this section, all of the communication between Ari and Dante is through letters. The author uses an epistolary form that emphasizes the gradual changes Ari and Dante undergo over the course of their junior year.
The differences between Dante and Ari regarding communication are even more extreme when they are physically apart. While Dante’s letters are revealing and honest, Ari avoids writing back to Dante. Dante accepts this, writing to Ari: “You have to be who you are. And I have to be who I am” (184). Dante finishes his third letter by stating, “I’m not going to tell you that I miss you anymore” (186). Ari knows that his silence is hurting Dante, but he is conflicted about how to treat Dante after the accident and how to handle his confusing emotions toward his friend. In one letter, Dante says that Edward Hopper’s painting Nighthawks reminds him of Ari because of the loneliness he feels when viewing the painting. He writes that it breaks his heart. While at the library, Ari finds an art book with Nighthawks and comments that the painting was like “looking in a mirror. But it didn’t break [his] heart” like it did Dante’s (188). This shows that Ari has a harder shell around his emotions and he doesn’t break as easily as Dante does.
Meanwhile, Ari becomes romantically interested in an older girl named Ileana. He finds her beautiful and mysterious, but she remains as elusive to him as he remains to other people. Ari’s conflicted sexuality is symbolized in his dreams of sitting with Ileana in his pickup truck and running over Dante. Dante also experiments with kissing girls. Ari and Dante experience confusion and turmoil during their time apart as each tries to unravel the mystery of their identity and the mystery of one another.
Ari’s relationships with his peers provide greater context for Ari’s life outside of his relationships with his family and Dante. His friendships with women and curiosity about their experience of the world is a recurring theme throughout. It also becomes clear that Ari generally relates better to girls than he does to boys because his two closest friends at school are girls. Ari’s closest friend besides Dante is Gina Navarro, a talkative, smart, and curious girl. Ari has been friends with Gina since first grade. She and Ari tease each other frequently, and the comfort and easiness of their friendship is a source of humor and lighthearted banter. Gina tells him that “he wouldn’t know” about change after he tells her that “change is overrated” (157). On the first day of junior year, Ari thinks to himself he’d like to wear a t-shirt that says “I am unknowable” but that this would only pique Gina’s curiosity even more (161). Gina balances Ari out: She is sociable and humorous while he is introverted and overly serious. Gina’s ability to call Ari on his flaws and tease him lovingly is reminiscent of Ari’s relationship with his mother. The author implies that Gina might be hiding romantic feelings toward Ari. Her incessant nosiness about his romantic life hints at this, but the friendship between Ari and Gina remains platonic.
Ari has a rare pleasant dream that Bernardo is 15 and he is four, and they are walking outside on a beautiful day holding hands. The dream symbolizes his wish for Bernardo’s guidance through this difficult period. He remembers that Bernardo was 15 when he’d last seen him, and thinks that perhaps the reason he is so melancholy is because of the loss of his brother’s presence. He takes action and begins searching for Bernardo’s name at the public library, reflecting his growing desperation to find out what happened to him.
Finally, the pickup truck becomes an important symbol in these chapters. Ari compares sitting in his pickup truck listening to the radio to “his version of praying” (168). He adores the pickup truck, and driving his truck into the desert provides him comfort while he deals with Dante’s absence and his yearning to understand his feelings.
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