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56 pages 1 hour read

As You Like It

Fiction | Play | Adult | Published in 1599

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Character Analysis

Rosalind

Rosalind, the daughter of Duke Senior and the heroine of the play, is independent, intelligent, and determined. She displays more agency than the typical Shakespearean female character, using her intelligence to construct complicated schemes and achieve her desires. Rosalind’s will is at times overpowering, as she freely involves others in her plans. For example, when disguised as Ganymede, Rosalind easily manipulates Orlando to get what she wants—his hand in marriage—which just so happens to be his own desire. At the same time, she quickly rejects Phoebe, constructing a complementary plan to match Phoebe with someone else.

Love of various kinds is Rosalind’s greatest motivation. She falls quickly and head-over-heels in love with Orlando, and her desire for him motivates much of her action. At the same time, her love for Celia remains strong throughout the play, as the two almost never leave each other’s side. Desire is also the reason behind Rosalind’s choice of disguise. She decides to playact as Ganymede, the beautiful mythological consort of Jupiter, because she must always be the most beautiful and most charming, even as a man.

Rosalind’s wit is strong as well. Through her disguise and scheming, she relishes in her ability to make cryptic comments about her gender and identity. These comments speak directly to the audience, who besides Celia and Touchstone are the only ones to truly understand them. Rosalind’s actor takes this one step further in the Epilogue. In Shakespeare’s time, a male actor would have played Rosalind, and in the epilogue, he takes the opportunity to poke fun at the play’s constant joking about a man playing a woman disguised as a man pretending to be a woman.

Celia

As with Rosalind, one of Celia’s primary motivations in the play is her love for her best friend. This love surpasses any Celia holds for her cruel father Duke Frederick. When Duke Frederick banishes Rosalind, there is no question for Celia that she will follow her friend into exile. However, while in exile, her choice of name and disguise betrays her separation from home. In Latin, the name Aliena—like the English word “alien”—means foreign or other. While in the forest, Celia is far from her home, and although she willingly and loyally plays along with Rosalind’s scheming, she is at times a third wheel to Rosalind and Orlando’s love. Celia shows her powerful ability to love again at the end of the play when she makes a quick connection with Oliver, whom she ultimately marries.

Orlando

Orlando is the hero of the story and the love interest of Rosalind, the heroine. His is the youngest brother of the deceased Sir Rowland de Boys. As youngest, he has no inheritance and suffers under the inadequate charge of his oldest brother Oliver. Despite his lack of education and training, he possesses natural charm and talents that Oliver envies. He fully embraces the role of hero, proving his physical prowess in a wrestling match against Charles, Duke Frederick’s wrestler. He also proves his gentleman’s loyalty to his servant Adam in the forest, saving the man from starvation. Orlando even saves his jealous and hateful brother Oliver from a stray lioness in the forest, forging a new and positive bond with him. Although he is not as intelligent as Rosalind, his love for her is powerful, and he does whatever he can to gain her hand.

Touchstone

As a fool, or clown, in Duke Frederick’s court, Touchstone fulfills a stock character role in Shakespearean comedy. He is full of constant and often bawdy critique of the other characters, and his jokes are frequently vulgar. Like Rosalind, Touchstone is intelligent, although his intelligence lacks her refinement. Still, even while in exile Touchstone maintains a strong connection with his courtly roots. He continually defends life at court and its refined education in the face of his rustic forest surroundings. Like Celia and Rosalind, by the end of the play Touchstone decides to get married. Unlike Celia and Rosalind, his love for Audrey rendered as crude and comic.

Duke Frederick

Duke Frederick, the younger brother of Duke Senior, is a cruel usurper. Before the play begins, he has taken over his elder brother’s lands and court, banishing Duke Senior to the forest. He initially allows Rosalind, Duke Senior’s daughter, to remain at court due to her friendship with his own daughter Celia. However, Duke Frederick becomes unfairly suspicious of Rosalind and banishes her. When he discovers the girls are gone and attempts to recover them, it is more out of anger and brutality than fatherly devotion. This lack of connection with his family, including his own daughter, fits with his turn to a religious life at the end of the play. Although it might seem a miraculous turn of events for the previously tyrannical Duke Frederick to suddenly return his lands to his older brother, his personality and lack of familial connection is better suited to the solitude of religious life.

Duke Senior

Duke Senior is Duke Frederick’s older brother and Rosalind’s father. Before the beginning of the play, his brother has banished him to the Forest of Arden. While in the forest, he sets up a rustic mock-court, holding table with various lords and attendants, including Amiens and Jaques. His temperament is far more level and kind than his brother’s, and he forms connections more easily. For example, he happily welcomes Orlando to his table in the forest, despite Orlando’s initial hostility. Upon learning that Orlando is the son of his late friend Sir Rowland de Boys, Duke Senior is even more pleased.

Oliver

Oliver is the oldest son and heir to the deceased Sir Rowland de Boys, as well as a brother to Orlando. Despite being charged with his brother’s care, Oliver hoards his wealth and envies his brother’s natural charm and talent. He relishes this hatred when Duke Frederick tasks him with finding Orlando. However, once in the forest, Oliver’s fate turns, and Orlando must save him from a lioness. Saved by his brother, Oliver has a change of heart and embraces his brother as family. He further shows his personality change and newfound willingness to love when he falls for Aliena, who is Celia disguised as a shepherdess. By declaring that he would give up his inheritance to live a simple life as a shepherd with Aliena, Oliver shows how far his personality has changed from the greedy, hateful older brother of the play’s beginning.

Jaques

Jaques is a lord who has followed Duke Senior into exile in the Forest of Arden. He fulfills the Shakespearean stock character of the man distinguished by excessive melancholy. While in the country, Jaques constantly criticizes the other characters while rarely taking full part in any scene or action. Despite his loyalty to Duke Senior, he lacks any strong connection to the other characters. It is therefore fitting that, at the end of the play, Jaques decides to leave the group and join Duke Frederick in religious solitude.

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