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Ma Taffy paces on her porch, feeling the day will be long and uncertain of what is to come. She looks at Kaia, sad knowing that his “mulatto” hair will grow back straight, like white people’s hair, due to his mixed heritage and his father’s identity, which Kaia himself does not yet know. She decides to resume telling him the story of the Flying Preacherman.
Augustown stunk as crowds poured in to witness the miracle. Ma Taffy’s Aunt Mathilda arrived to see the Flying Preacherman. Another miracle had already taken place in Augustown when Bedward declared the Mona River a healing river. People were healed, and when the government investigated, they found the river contained minerals that could help with some ailments. This increased Bedward’s reputation, adding to people’s desire to see his flying miracle.
Aunt Mathilda told Norah, Bilby, and Ma Taffy that she heard of flying people before, specifically flying Africans. She said that back during the time of slavery, Black people could fly but the salty diet given to them by slaveholders suppressed their abilities. Through fasting, they regained their ability to fly. The story was interrupted by the announcement that Bedward had left his house. The group went outside and saw Bedward surrounded by deacons. He started to float, and the deacons pushed him back down, demonstrating that his ability to fly was real.
Ma Taffy remembers the only other time she heard of people flying: when the Americans walked on the moon in space. Though it was after the rats blinded her, Sister Gilzene described it to her, comparing it to Bedward’s flight.
In December 1920, William Grant-Stanley, a light-skinned journalist from Kingston, arrived in Augustown under the fake name Mattias Marcus to investigate Bedward’s flight. He attended a church service at Union Camp and, though the community could tell he was a journalist, he was welcomed in. He watched the service, took notes, and was pulled in to dance by one of the churchgoers. He made weak attempts at patois but still stood out. Bedward appeared and gave a sermon. There were chains around his waist, and he noted the understandable negative view his Black congregation has of chains but said they were there to hold him to the Earth. He told the congregation that on December 31, he would perform a miracle: He would fly into the sky and stay there with the prophets for three days before returning with “lightning” in his hands to bring “ruination” to the “wicked” Kingston and the governor Leslie Probyn.
Governor Leslie Probyn was the British governor of Jamaica during Bedward’s flight in 1920. He sat in his office and read a copy of Roaming Through the West Indies, a nonfiction text in which Harry Franck, an American travel writer, lambasts the leadership of many of the Caribbean colonial territories as “unsafe” for white people due to the “multitude” of Black people. Probyn felt irritated by Franck’s criticisms and by the anger of local businessman Richard Azaar, who, as a mixed-race man, felt superior to the Black people of the community. Azaar felt threatened by Bedward and the number of people leaving Kingston to see the miracle in Augustown, leaving the stores and businesses with few workers as the Christmas season approached. Azaar thought a revolution was coming, but Probyn dismissed his fears. Azaar told him that he would regret it, saying that history would tarnish his reputation.
This chapter transcribes two news stories from Kingston newspapers that cover the topic of Bedward and his flight. Both present Bedward as a false prophet, a charlatan obsessed with power, and portray his followers as weak-minded adherents to folk tradition who fail to understand the reality of the situation.
When Gilzene was young, she was ugly—even her great-grandmother Miss Lou thought so. Miss Lou was a formerly “loose” woman, but she later found faith in her 60s and became baptized. She raised Gilzene, and though she worried about Gilzene going through puberty and becoming pregnant, she thought her looks would protect her. Despite her looks, Gilzene had a beautiful singing voice and sang Bedward into the clouds.
Ma Taffy begins to tell Kaia the final part of the story. Christmas came and went, and on December 31, the community gathered to see Bedward fly. The community honored him by wheeling and bowing to him until Babylon and Governor Probyn arrived. During the tense standoff, Bedward began to fly. Babylon ridiculed him, calling his floating a “circus trick.” Bedward faltered, but Gilzene began to sing, and the whole community joined in the song. Bedward flew higher and higher until a member of Babylon grabbed a stick and pulled Bedward down to the ground by the neck of his robes, which Ma Taffy compares to “plucking fruit.” Ma Taffy identifies the foul smell that accompanied Kaia when he came home from school: it’s the smell of picking jackfruit. She rubs Kaia’s head to show her love for him and tells him the story is not what Kaia has heard. It’s not the story of a foolish man but the story of a man pulled down by the country of Jamaica.
The narrator shares the story of H. E. S. Woods, also known as Shakespeare, who, in 1888, journeyed to Augustown and prophesied a tragedy that would befall Augustown. The townsfolk repented, so Shakespeare made a second prophecy: A man greater than him would rise from the Augustown valley and lead a great religion. Alexander Bedward used to be a cow herder and a man with problems with both gambling and adultery. He suffered from chronic illness. During a delirious dream he suffered from while sick, he saw an old man who whipped him and demanded that he return to Augustown. He procrastinated, but the man with the whip visited him in a dream again. Bedward finally returned to Augustown and started Bedwardism, after giving himself over to fasting and prayer. Bedwardism grew in popularity with the “black peasants,” but was reviled by the upper class and white people. The narrator then briefly retells the story of Bedward’s flight. Bedward’s teachings were combined with the writings of Marcus Garvey and published in The Promised Key, which is referred to as the first book of Rastafari.
The narrator shares that the Rastafari songs about flight all call back to the memory of Bedward. The narrator issues a challenge to view the characters in the story as real people, not characters in a magical realism story. It’s instead a story of the people of Augustown and the event they needed to happen and the flight they yearned to see, though it did not actually happen.
These chapters lay the groundwork for the historical and cultural understandings of Bedwardism and Rastafarianism, which are essential to understanding the significance of the coming autoclaps. Ma Taffy, Gina, and Kaia are followers of Rastafarianism and have taken the Nazarite vow, which is why the forced barbering of Kaia by Mr. Saint-Josephs is such a violation of their beliefs. The Nazarite vow prohibits a number of practices, including consuming grapes, cutting hair, and touching dead bodies. To have his hair forcibly cut is an act of violence against Kaia, perpetrated by a man who views himself as a part of Babylon, even though Babylon will never truly accept him.
Throughout this section, the narrative weaves magical realism into its historical and literary fiction narrative. Magical realism is a literary genre characterized by the incorporation of fantastical or magical elements into an otherwise realistic narrative. However, the narrator challenges this classification directly at the end of Chapter 11:
Look, this isn’t magic realism. This is not another story about superstitious island people and their primitive beliefs. No. You don’t get off that easy. This is a story about people as real as you are, and as real as I once was before I became a bodiless thing floating up here in the sky (115).
The narrator, later revealed to be Gina, addresses the audience directly in the second person. This metatextual engagement with the genre complicates the narrative; the novel is fiction denying its fictionality while also engaging with historical figures like Alexander Bedward, Marcus Garvey, and Leslie Probyn. Bedward is a character modeled after the real man, but his ending is changed: Instead of being committed to a psychiatric hospital by the power structures of Babylon and failing to fly, in Augustown, he at least gets to float and fly for a moment.
Babylon’s perception of Bedwardism comes to life in these chapters through the narrative’s use of newspaper articles and engagement with colonial symbols. The power structures in Kingston are predominantly white or brown, the subgroup of lighter-skinned people who view themselves as distinct from the Black community. The Kingston media, part of Babylon’s institution, demonizes Bedward as a false prophet, a narcissist, and a con man. Even the journalist who visits Augustown and sees Bedward preach, witnessing the devotion the congregation feels toward him and the power of his message about Black empowerment, derides him in his article. Leslie Probyn is troubled by what Bedward represents; though he initially dismisses Azaar’s concerns, when he sees how Bedwardism could tarnish his reputation as the keeper of law and order, he intervenes and brings the troops that drag Bedward down. Probyn embodies colonial power; though he does not personally participate in dragging Bedward down, he is present at the scene supervising. He does pull Bedward to the ground with his own hands, but the Babylon officer and his wooden rod are an extension of Probyn himself—an extension of the colonial violence that keeps the “stone” on the heads of the people of Augustown that “stops [them] from rising” (25).
The failure of Bedward’s flight due to the actions of Babylon demonstrates the theme of The Consequences of Racial and Social Oppression. Babylon’s actions directly oppress Bedward, which mirrors the later oppression faced by Clarky, Kaia, and the other Rastafarians. Just as Babylon pulls Bedward down using a wooden rod, Mr. Saint-Josephs cuts Kaia’s hair with rusty scissors. Though in 1920 the crowd was incapable of using “the tools of Babylon against Babylon,” as Ma Taffy says, Gina is able to do so in 1982, even though it leads to her death (190). This novel does not sugarcoat the oppression present in Jamaica, nor does it offer a hopeful retelling of Bedward’s flight. Though the real Bedward fails to fly and ends up in a psychiatric hospital, the fictional Bedward flies also fails to complete his promise of bringing “ruination” to the power structures that oppress his congregation.
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