51 pages • 1 hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Fate is a recurring theme throughout Blood Meridian. The kid is born and dies during similarly auspicious meteor showers, while the characters he encounters remind him that he is set on a path from which he cannot deviate, no matter how hard he tries. The characters are so preoccupied with violence and destruction that fate becomes a comforting force for them. When they think about the future, the characters often prophesize that violence and death will be constant factors in their lives. The magician is taken aback when Glanton draws a tarot card associated with violence; Glanton then leads his gang on a violent, fated path that ends in his destruction. Knowing that violence is part of his fate is almost a comfort for Glanton. He does not have to think about his morality or responsibility. Instead, everything he does and everyone he kills is just part of the unraveling of destiny. Glanton kills people, orders others to kill people, and then is killed after betraying a group of Native Americans. His death is foretold, but he does nothing to prevent the deaths of others. Characters such as Glanton use fate as an excuse for their violence, believing that they are pawns in an unknowable universe and that their actions—no matter how violent or immoral—are predestined.
The novel’s narration raises questions about the nature of fate. At certain junctures, the narrative mode switches, and the narration describes an event far into the future. Characters such as Bathcat and Sloat are part of these narrative moments, in which their deaths are foretold. The narration describes how Bathcat’s tattoo will be revealed when his body is lowered from a tree. Sloat’s death is foretold as soon as he joins the gang. These narrative moments suggest that these characters’ fates are sealed. Although they seemingly have agency and control over their lives, their deaths have been foretold by a seemingly omniscient narrator. Whether their deaths are foretold as part of a supernatural prophecy is less certain. Rather, the members of Glanton’s gang are so deeply enmeshed in violent, brutal lives that violent deaths are a certainty. Their fates were not foretold because the narrator glimpsed into the future. Instead, the deaths of Bathcat and Sloat were inevitable from the moment they gave themselves to the violence and brutality of Glanton’s gang.
The character who most explicitly engages with the idea of fate is Holden. During his long lectures, Holden describes war as having the ability to reveal the intricacies of fate and the inevitable fate of the world. Likewise, Holden and the kid seem to have their fates entwined. From their first meeting, Holden becomes a harbinger in the kid’s life. He haunts the kid, acting as a looming specter of death and punishment. Just as the kid cannot avoid his fate, he cannot avoid Holden. Even during their showdown, the kid rejects the idea that fate exists or that Holden can pass judgment over him. Later, the kid feels a call of nature and feels the need to act upon it. When he reaches the outhouse, Holden drags him inside. The kid cannot escape his fate any more than he can escape the regular functions of his body. For all his excuses, his escapes, and his attempts to distance himself from his fate, his death at Holden’s hands was inevitable.
Nature is a constant feature in Blood Meridian. As much as the characters are at war with one another, they are at war with the environment they inhabit. Nature is presented as a powerful, intimidating force rather than a romantic, comforting source of beauty. Holden outlines this difference through his meticulous documentation of everything he finds in the natural world. He takes notes about wildlife and geology as he passes through the world. Everything is documented in his notebook, but not because he believes his findings to be beautiful or interesting. He documents the natural world as a form of control and domination. To Holden, nature is a powerful force that threatens his existence and the existence of humanity. Even the smallest crumb, animal, or blade of grass can overpower humanity, he believes, if it is not properly dominated. Holden’s interest in nature is a sign of respect. Even a figure as powerful and as violent as Holden recognizes that nature must be respected and watched due to its innate power.
At times, the natural world overpowers the human world. Bulls gore horses; mules slip off mountainsides; grizzly bears drag away men on horseback, and the dry, arid desert is a deathtrap for anyone who does not have requisite supplies. In these moments, the humans are helpless. They can do nothing to make the desert wet and the attempts to track down the bear end in failure. For all the violence that takes place between humans, the violence from nature is particularly one-sided. Glanton’s gang kills Native Americans and then Glanton himself is killed by the same Native Americans he betrayed. However, no one can triumph over the desert. Even Holden is forced to change if he wants to survive in the harsh conditions: he dresses himself in clothes made from raw meat and a hat made from mud to protect himself from the blistering conditions as he chases the kid through the desert. Holden recognizes the overpowering brutality of nature, which is why he makes such careful attempts to document the world, learn science, and give himself the tools needed to face up to the power of nature.
The more time characters spend in the natural world, the more violent they become. Glanton’s gang is dominated by the natural world and it reflects this violence to the people it encounters. For every violent act visited against the gang members, they turn the violence back against people. Glanton shoots cats, chickens, and goats while testing his new pistols and, soon enough, his men are dragging themselves through a brutal environment that may kill them. They take the pain they feel and turn their anger against any Native Americans they encounter. The more they suffer in the natural world, the more they punish other humans. The cycle of increasing violence perpetrated by Glanton’s gang is an illustration of the powerlessness of humanity in the face of nature. There is no way for Glanton to take out his pain and suffering on the natural world, so he turns his anger against other humans. People are made to suffer because he and his men suffered at the hands of nature. The world portrayed in Blood Meridian is a tough and inhospitable natural environment. In this world, the pain inflicted by nature becomes a key part of the people who inhabit the world. Men like Glanton do not understand the natural world, so the testing conditions turn them even crueler. As Holden predicted, the natural world dominates Glanton and turns him into the worst version of himself, as it does with his men. Nature, as portrayed in the novel, tests humanity and, in most cases, shows people the worst versions of themselves.
Violence is a constant feature of life for the characters of Blood Meridian, but many characters attempt to justify their violence with racism. Characters such as White and Glanton justify murdering Mexicans or Native Americans as moral behavior. These men believe that they are killing “inferior” people; their racism does not allow them to think that Mexican or Native American people are as important as white people. They use dehumanizing language to emphasize their point, referring to their victims as “savages,” “barbarians,” or “heathens.” This language suggests that any non-white person is fundamentally immoral or not worth as much as the equivalent white person. In the novel’s most egregious illustration of race and violence, two characters named Jackson are differentiated by their race and forced into conflict due to the color of their skin. White Jackson antagonizes Black Jackson for no reason other than racism; even after Black Jackson kills the other man, people like Holden continue to harass, dehumanize, and marginalize Black Jackson. Racism is used as a convenient justification for immoral behavior, giving the characters an excuse to indulge their violent fantasies.
At times, racism is a cover for material interests. White hates Mexican people, and he wants to kill them, to ensure the victory of the United States. His men, however, are more interested in plunder and loot. When the kid enlists, the material temptation of joining White’s military force is that he will be given new clothes, a gun, a horse, and even a plot of land. For the men who serve under White, racism becomes a convenient excuse for violence that financially benefits these men. They are happy to perpetuate racist violence because it enriches them. Similarly, Glanton’s gang collects scalps for a reward from the governor of Chihuahua City. Glanton revels in the racist violence of killing and scalping any Native Americans he finds, but racism is not enough. He has a financial interest in collecting scalps, so he also removes the scalps of Mexican and white people to collect the reward. Glanton uses racism to disguise his violence. Glanton believes that he is ridding the world of “savage heathens,” while he is merely enriching himself by enacting savagery on the defenseless people he encounters.
Glanton’s racial beliefs are shown to be hollow and lacking in moral or intellectual clarity. He loves violence and money but uses racism to give his violence a grand justification. As a result, non-white people suffer because Glanton exists in a world that accepts this blend of racism and violence as a fact of life. Rather than being a unique individual, Glanton is the embodiment of a society that permits violence against non-white people. He becomes the representation of the absurdity of racist violence that defines this era of American history. Glanton is not alone in his racism or his violence. Instead, he is a product of a society that condones and incentivizes racism and violence to further material interests. Political power, financial rewards, and real estate are all gained through racist violence, in which men like Glanton are employed as blunt, brutal instruments to dominate the world. Blood Meridian portrays a violent, racist society, but men like Glanton and White are not unique in the context of this society. Rather, they are the logical endpoint of everything the society represents.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features:
By Cormac McCarthy
American Literature
View Collection
Books on Justice & Injustice
View Collection
Challenging Authority
View Collection
Fate
View Collection
Fear
View Collection
Good & Evil
View Collection
Hate & Anger
View Collection
Historical Fiction
View Collection
Horror, Thrillers, & Suspense
View Collection
Loyalty & Betrayal
View Collection
Order & Chaos
View Collection
Power
View Collection
Revenge
View Collection
Safety & Danger
View Collection
School Book List Titles
View Collection
The Best of "Best Book" Lists
View Collection
Westerns
View Collection