61 pages • 2 hours read
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Plants are the most abundant symbol in Counting by 7s. They are one of Willow's obsessions, and it is through her plants and gardens that the author tells the story of her transformation. According to Willow, “to know [her] is to know [her] garden” (15). After her parents' death, her beloved garden symbolizes the past and because she cannot return to it, she abandons her interest in it. After processing her grief, she is able to start thinking about her garden again, and the sunflowers and courtyard garden project brings her new family together.
Willow sees herself through the different plants she loves when she feels comfortable. When adjusted to her new life with the Nguyens, she compares herself to the new sunflowers, tentatively putting down roots. When a maintenance man throws her rooftop cuttings away, she sees this as a symbol of impermanence, and she mentally prepares to leave the Gardens of Glenwood to face whatever else her future holds.
Willow also compares herself to the lucky acorn Mai finds—she is a survivor and is ready to begin her life again with her new family. This symbol appears again when Willow plants the acorn—and herself— at the end of the novel, sending down permanent roots with plenty of space to grow. Planting the acorn suggests that Willow no longer needs luck and has achieved her desires. Now, all there is to do is to grow roots and enjoy permanence her new family.
The number seven is one of Willow's self-described “obsessions,” and one of the ways she keeps “order in [her] universe” (11). It is unique in that it is a natural, prime number, and any amount of passing time she specifically remembers as some form of seven (“Seventeen minutes after our arrival,” “for 37 straight minutes,” “147 months and 7 days later”). The number is personally significant to Willow because after her mother tried to get pregnant for seven years, Roberta and Jimmy adopted Willow on July 7th (the seventh day of the seventh month).
Her habit of counting by multiples of seven serves as a marker for her stages of grief. Prior to her parents' deaths, she would count by multiples as an escape mechanism. She is unable to use this trick to calm herself down when she receives news of her parents’ death, and she later decides that in this “new world,” she will no longer count. It is only after her court hearing (which occurs on the seventh of the month) where Pattie and Jairo file for custody of Willow, that she’s ready to count again. Her system has changed, just as she has. She realizes she has seven people in the world she cares about unconditionally, so in times of stress, she will start counting to seven.
Red is both Willow and Pattie's favorite color. Willow loves it because it is important in the natural world; her red hat is the only colorful part of her gardening outfit. Pattie believes that the color red brings luck; she wishes that all of her salon patrons would choose red polishes. Ironically, the lucky color is a part of Willow’s parents' tragic death—they die because a truck driver speeds through a red traffic light. After the accident, though, the color appears in moments of growth and good fortune. Removing the red lava rocks outside of Dell's apartment is the first step of the garden transformation, which marks Willow's healing. She buys red lady bugs while at the nursery, which is when Henry agrees to help her with her garden project. Unbeknownst to Willow, he would give her an entire truckload of plants. Attending Willow's hearing, Dell wears a red tie, and Pattie wears red slippers, which ultimately concludes with Pattie and Jairo adopting Willow.
The Vietnamese language is what first connects Willow to Mai at the beginning of the narrative. Eager to form a connection and have something in common with Mai, Willow starts teaching herself Vietnamese so that she can converse with Mai in their “secret” language. It is upon seeing the book of Vietnamese customs on Willow's bed that Mai understands Willow's dedication to their friendship and decides that Willow should stay with them. The moments in which Vietnamese appears suggest intimacy and attachment. The language allows the manicurists to talk at length about their families at work, and outside of the salon, speaking Vietnamese insulates Willow and her new family, the Nguyens, from others. Learning this language is one way that Willow establishes herself as a member of the Nguyen family.
The first time birds appear in the novel is when Willow recalls the time she rescued a baby parrot in her garden. She cared for it until it was strong enough to rejoin the flock, foreshadowing her own circumstances once she loses her parents. The first night at the Nguyens, Pattie even tries to feed her as if she were “coaxing a baby bird” (126). Later, reflecting on the way she and Dell are both swept into the Nguyen family, Willow compares her new family to a flock: “I think now about how small birds often move in large flocks [...] They are part of a bigger organization of life. And they accept that [...] Right now I’m in a flock. And so is Dell Duke” (223-24).
The moment Willow feeds the hummingbirds outside of the Gardens of Glenwood marks the return of her gardening, which signifies that Willow is adjusting to her new life. At the very end of the novel, when Willow returns home after her trial, she sees two birds by newly planted honeysuckle, and they are the messengers of Willow's ultimate lesson: “They speak to [her], not in words, but in action. They tell [her] that life goes on” (378).
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