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91 pages 3 hours read

Frankenstein; or, The Modern Prometheus

Fiction | Novel | Adult | Published in 1818

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Chapters 21-24Chapter Summaries & Analyses

Chapter 21 Summary

At the magistrate’s office, Frankenstein listens as a man relates how he and his family had been fishing when they came across the dead body of a handsome young man. Upon bringing him to a cottage, they saw marks on his throat as if he had been strangled. Someone had seen a boat not far from shore—one that looked like the boat in which Frankenstein arrived. When Frankenstein is shown the body, he sees that it is Clerval. He cries, “Have my murderous machinations deprived you also, my dearest Henry, of life?” (161).

Frankenstein descends into a fever that lasts two months. In that time, he raves that he is “the murderer of William, of Justine, and of Clerval” and asks for help destroying the creature (161). He also imagines the creature is strangling him. When he awakens, he is in prison. The nurse and doctor treat him unkindly, and he laments that no one comforts him “with the gentle voice of love” (162). Though the magistrate, Mr. Kirwin, feels sympathy for him, he does not visit often.

One day, Frankenstein is contemplating confessing, so he can die and be free of misery, when Mr. Kirwin visits to tell him that a friend is there to see him. Fearing it is the creature, Frankenstein is elated when his father enters the room. They have little time to talk, but seeing a loved one improves Frankenstein’s health—though not his sour, dark mood.

About a month later, Frankenstein is freed after evidence proves he was on the Orkney Islands when Clerval was found. Frankenstein cannot take joy in freedom, though, for “[t]he cup of life [is] poisoned forever” (166). He wishes to die but knows he must remain alive to protect his loved ones and try to destroy the creature. He and his father begin the journey to Geneva, and Frankenstein is troubled by nightmares.

Chapter 22 Summary

Frankenstein and his father stop in Paris so he can rest. His father wants him to “seek amusement in society,” but Frankenstein, though he considers his “fellow brethren” to be “creatures of an angelic nature,” feels that he has “no right to share their intercourse” (169). He continues to say he is at fault for the deaths, but his father does not understand these claims, and Frankenstein refrains from confessing to the creature’s existence.

Frankenstein receives a letter from Elizabeth expressing concern that he does not in fact want to marry her. He is reminded of the creature’s promise to be with him on his wedding night. If he is killed, he believes, at least he will be in peace. He assures Elizabeth that he wants to marry her and that he has a dreadful secret he will reveal to her the day after they are married.

Once home, Frankenstein suffers nervousness that only Elizabeth can soothe. The wedding is planned for 10 days later. As the wedding grows closer, Frankenstein cannot help but feel his “heart sink.” Elizabeth too is somber, as if “past misfortunes had impressed that what now appear[s] certain and tangible happiness might soon dissipate into an airy dream” (175). Frankenstein arms himself so he can fight the creature.

The day of the wedding contains Frankenstein’s “last moments […] of happiness” (176). He and Elizabeth travel by water toward Austria. Elizabeth comments that she has a sense of impending disaster, but she has decided not to listen to it. She comments on the beauty of Mont Blanc as they travel along the lake. They finally reach the shore.

Chapter 23 Summary

That night, as Frankenstein and Elizabeth settle at an inn, a storm descends. Frankenstein feels “anxious and watchful” (178). He considers how frightening a battle between himself and the creature will be for Elizabeth, so he encourages her to go to bed. Frankenstein looks around for the creature but does not find him. He hears a scream from the bedroom, where he finds Elizabeth dead. Uncertain how he could “behold this and live,” he ponders how life “clings closest where it is most hated” (179). When he awakens from a faint, people in the inn bring him to Elizabeth’s body. Marks on her neck indicate she was strangled. He sees the creature’s grinning face in the window and runs after him, but the creature escapes. People search for him outside, to no avail. As Frankenstein looks at Elizabeth’s body, he considers that his father and Ernest are not safe. He takes a boat on the lake to begin his journey home and ponders memories from happier times.

When he returns home, his father is “in the decline of life” and soon dies in his arms (181). Frankenstein is “possessed by a maddening rage” when he thinks of the creature and begins preparing to find him (182). When he tells a judge that he knows who killed his family and relates the story of the creature, the judge accuses Frankenstein of “delirium.” Frankenstein vows that he will destroy the creature himself.

Chapter 24 Summary

Frankenstein’s purpose now is to destroy the creature. He visits the cemetery where his father, William, and Elizabeth are buried and laments that he is alive while they are dead. When he hears the creature laugh, Frankenstein chases after him—and never stops.

Frankenstein’s only joy is in sleep, when he sees his loved ones in dreams. Frankenstein obtains a dogsled and begins gaining on the creature. When his dogs begin dying, he loses hope, but the sight of the creature in the distance spurs him forward. He is separated from the creature when the ice cracks, leaving “a tumultuous sea” between them (191). At the point of death, he sees Walton’s ship. He decides to embark only if they are going northward. Frankenstein begs Walton that if he dies, Walton will remember his dead loved ones and destroy the creature.

Frankenstein finds solace only in being alone. He tells Walton how, when he was younger, he believed he was “destined for some great enterprise” (194). However, despite his “lofty ambition,” he is like the “archangel who aspired to omnipotence” but is “chained in an eternal hell” (194).

The story continues with more letters from Walton to his sister Margaret. He writes that he has no doubt Frankenstein was telling the truth. As such, he tried to get Frankenstein to reveal the secret of life that allowed him to create the creature, but he refused. Walton then expresses concern that his ship is blocked in by ice and he may not survive. He fears the lives of his crew are also in danger and that if they die, his “mad schemes are the cause” (196).

Several men die of the cold, and Frankenstein’s health declines. Walton’s men mutiny, demanding that if they survive, they head southward, but Frankenstein chastises them for their cowardice. Just before his death, with visions of his loved ones before him, he warns Walton to “avoid ambition.”

When Walton later approaches Frankenstein’s body, he sees the creature standing over it. The creature expresses remorse and wishes he could ask Frankenstein for forgiveness. Walton chastises him for not listening to his conscience earlier, and the creature replies that he suffered more in killing than Frankenstein did himself. He “pitied Frankenstein” but was angry that Frankenstein expected to have happiness while he himself was miserable.

The creature says he is beyond seeking human compassion now, for “crime has degraded [him] beneath the meanest animal” (203). He claims to hate himself more than anyone else could and tells Walton he will go to the northernmost point on Earth and consume himself in fire. With these thoughts, the creature leaves the ship and is quickly swallowed by darkness.

Chapters 21-24 Analysis

The creature’s promised revenge on Frankenstein begins with the murder of Henry Clerval, whose death was foreshadowed from the beginning of the novel. Hints that Clerval’s death is imminent appear in Chapter 18, when Frankenstein extols the virtues of Clerval, who “was alive to every new scene” (139). In his passionate exclamations— “Clerval! Beloved friend! […] He was a being formed in the ‘very poetry of nature’” (141)—Frankenstein speaks of Clerval in the past tense. He also notes that Clerval’s “form,” which was “so divinely wrought, and beaming with beauty,” has “decayed” (142). Frankenstein’s admiration of Clerval’s love of life—a constant source of comfort and strength for Frankenstein—makes his death even more tragic.

In killing Clerval and later Elizabeth, the creature succeeds in making Frankenstein feel all the loneliness and misery he himself suffered. Upon seeing Clerval’s dead body, Frankenstein repeats the creature’s wish for death, crying, “Why did I not die?” (161). In prison, he echoes the creature’s loneliness, lamenting that no one “soothe[s]” or “support[s]” him. Like the creature, he finds himself feeling connected to but alienated from other humans. Just as the creature tells Walton that “crime has degraded [him] beneath the meanest animal” (203), preventing him from hope of receiving “sympathy,” Frankenstein believes the misery he caused means he has “no right” to enjoy the company of others. He becomes “the shadow of a human being” (167)—just like the creature. This suggests the intersection of The Definition of Humanity with the Nature Versus Nurture debate. Humanity is not a static quality but rather something one can lose, particularly if one loses connections to other people.

Underscoring this point, at the end of their lives, both Frankenstein and the creature lament how they fell into darkness despite their good intentions. Days before his death, Frankenstein tells Walton that he always believed he was meant for greatness—a thought that now “plunge[s]” him into “despair.” Similarly, the creature, upon thinking of “the frightful catalogue of [his] sins,” says he “cannot believe” he is “the same creature whose thoughts were once filled with sublime and transcendent visions of the beauty and the majesty of goodness” (203-04). At the root of their shared fall is the theme of The Dangers of Knowledge.

When Walton asks Frankenstein the secret of creating life, Frankenstein tells him, “Learn my miseries and do not seek to increase your own” (193). Shortly before his death, he advises Walton to instead find “happiness in tranquility” (200). Like the creature, he compares himself to Satan, for “like the archangel who aspired to omnipotence,” he is “chained in an eternal hell” (194). It is a lesson Walton appears to take to heart; as their ship is threatened by ice, Walton fears that his “mad schemes” are threatening the lives of his crew and ultimately sets a course for home.

The novel ends with an epic battle of wills between Frankenstein and his creation. Frankenstein becomes like the monster not only in his lonely misery but also in his newfound devotion to revenge. Like the creature, for whom revenge is “dearer than light or food” (153), Frankenstein vows “to pursue [his] destroyer to death” (182). Too late, Frankenstein begins to consider The Duty of a Creator; he pursues the creature not merely to satisfy his personal vendetta but because he feels obligated to rid the world of an evil that he brought into existence.

The final confrontation between Frankenstein and the creature occurs in the barren icescape of the North Pole, which represents the desolation of their lives. In this land of “eternal frosts,” Frankenstein ultimately fails to catch the creature. Upon Frankenstein’s death, the creature returns, seeking forgiveness he will never receive. Just as the frozen landscape offers neither relief nor life, neither Frankenstein nor the creature attain what they seek. In this too they are bound together, as the creature’s decision to die by suicide alongside his creator underscores.

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