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85 pages 2 hours read

Goodbye to All That

Nonfiction | Autobiography / Memoir | YA | Published in 1929

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Introduction

Teacher Introduction

Goodbye to All That

  • Genre: Nonfiction; Autobiography; War Memoir
  • Originally Published: 1929
  • Reading Level/Interest: College/Adult
  • Structure/Length: Approximate 347 pages; audiobook length approximately 4 hours and 58 minutes.
  • Central Concern: In Goodbye to All That, Robert Graves recounts his early life, his experiences as a young officer in World War I, and the war’s aftermath. The memoir paints a vivid portrait of the horrors of trench warfare and the disillusionment of a generation. While it captures the brutality and absurdities of war, it also provides glimpses into the literary and social circles of the early 20th century. The title reflects Graves’s disillusionment with England and his decision to leave for Spain, symbolizing a broader farewell to his youth and to the pre-war Edwardian world.
  • Potential Sensitivity Issues: Graphic depictions of war and its casualties; discussions of trauma and mental health related to war experiences; scenes of societal upheaval and post-war challenges.

Robert Graves, Author

  • Bio: Born 1895; died 1985; British poet, novelist, critic, and classicist; served as a captain in the Royal Welch Fusiliers during WWI; renowned for his studies and translations of classical texts; his other notable works include historical novels set in ancient Rome, particularly the Claudius series.
  • Other Works: I, Claudius (1934); Claudius the God (1935); The White Goddess (1948); The Greek Myths (1955) and many more.

CENTRAL THEMES connected and noted throughout this Teaching Guide:

  • Middle-Class British Society Before and After World War I
  • Soldiers’ Experiences of Combat and Post-Traumatic Stress Disorder

STUDY OBJECTIVES: In accomplishing the components of this Teaching Guide, students will:

  • Gain an understanding of the historical and cultural contexts that shape the canon of WWI literature, and draw a personal connection to the legacy of the war.
  • Study paired texts and other brief resources to make connections via the text’s themes of Middle-Class British Society Before and After WWI and Soldiers’ Experiences of Combat and Post-Traumatic Stress Disorder.
  • Research, analyze, and present a piece of WWI poetry that sheds light on the themes in Goodbye to All That.
  • Analyze and evaluate the author’s purpose and techniques to draw conclusions in structured essay responses regarding the portrayal of French versus German soldiers, how Graves’s poetry influenced the body of the narrative, and other topics.

Before Reading

Use these questions or activities to help gauge students’ familiarity with and spark their interest in the context of the work, giving them an entry point into the text itself.

Short Answer

1. World War I had a profound effect on all aspects of cultures in many countries, including literature of the period. Around this time, modernism, as a genre and artistic tradition, first began to emerge. How did WWI affect books, plays, and other writing of the period? What characterizes modernist literature?

Teaching Suggestion: Modernist works of art are characterized by a break from traditional form and function. Thematically, modernist works tend to be infused with the disillusionment that pervaded the period, in the wake of the devastation of WWI. Unlike earlier traditions, modernism focused on the inner lives of its subjects.

Differentiation Suggestion: For advanced learners, one differentiation suggestion would be to ask students to compare and contrast the various literary contributions by nationality. For instance, how did American literature written in the wake of WWI compare with British literature like Goodbye to All That? Students should be encouraged to draw upon their own knowledge and/or conduct their own independent research to develop their answer to this question, but to help begin this discussion, you can have students read The University of Delaware’s entry on “The First World War and Literature” on their British Literature Wiki.

2. In modern times, the term “shell shock” can refer to any surprising or shocking experience. However, were you aware that the origins of this phrase have their basis in World War I? What do you know about where the term originally comes from?

Teaching Suggestion: The term “shell shock” was first coined during the Battle of Loos in 1915 to describe the medical symptoms that soldiers began reporting after being exposed to explosions from artillery shells. These symptoms could include tinnitus, amnesia, headaches, tremors, dizziness, and a hyper-alertness to noise. Though it was first thought to be a physical condition, eventually it was recognized as, primarily, an “emotional disorder.” “Shell shock” is, in many ways, the precursor to modern-day understandings of Post-Traumatic Stress Disorder (PTSD).

Personal Connection Prompt

This prompt can be used for in-class discussion, exploratory free-writing, or reflection homework before reading the text.

1929 may seem like the distant past, but odds are, if you look back in your own family tree, you may be able to find your own connection to WWI. Draw out your family tree as best you can or select another prominent figure in your life (a close friend, a teacher, etc.) and try and research how, exactly, they are connected to the war.

Teaching Suggestion: Be aware that students may come from family situations that may prevent them from accessing their family tree—there may be gaps in their records due to adoption, family trauma, or a variety of other reasons. As such, please approach this prompt with sensitivity, and be prepared to have students find their connection to WWI via another prominent figure, if need be. Emphasize that, whether working from a biological family tree or a non-related individual, the purpose of the exercise is to demonstrate how the legacy of WWI can still be found in the present.

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