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46 pages 1 hour read

My Year of Meats

Fiction | Novel | Adult | Published in 1998

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Chapters 4-6Chapter Summaries & Analyses

Chapter 4 Summary: “The Duetzia Month”

This chapter is prefaced by an excerpt from Shōnagon in which she compares men who leave hastily to men to who leave slowly; she expresses her preference for the latter. 

While working on the show, Jane develops a relationship, which for months consists only of phone sex, with a traveling musician named Sloan. She finally meets him at her motel bar in Nebraska where he is dressed up disguised as a commissioner. He comes over to her and her film crew and makes small talk with the men that work with her until Jane dismisses them. He continues to pretend to be a commissioner as he leads her upstairs and has sex with her. She finds the experience “strange” but enjoyable, and the day afterwards she cannot stop thinking about him (54). He starts to make a habit of preemptively showing up in the cities she is about to film in, and she likes it. Other than one man, none of Jane’s crew notices the commissioner is the same person from state to state. She wonders if this is because they believe “all Americans look the same” (56). To herself, she admits that there is a sameness. She blames this on Wal-Mart, a corporation she believes has stamped all personality out of America by crushing local commerce. 

During her fling with Sloan, Jane finally gets the chance to direct that she has been waiting for. Mr. Oda had gone into anaphylactic shock from the steroids in the meat one of the wives cooked, so Kato had given Jane permission to direct an episode in his absence. She chooses a Latinx family who falls far outside Kato’s specifications. She feels satisfied with the shoot, however, which includes shots of the Martinez family dancing, attending church, and playing with their pet pig, Supper. 

Akiko starts to cry as she watches the scene with little Bobby Martinez playfully chasing Supper. She had just woken up alone, which she was grateful for as it allowed her time to sort out her thoughts and make lists like Shōnagon. Still, she can’t seem to shake the anxiety that her husband instigates. 

The Martinez episode gets excellent ratings, so Kato allows Jane to direct another episode, despite John insisting she’s too American for the job.  She thanks Kato, says she wants to feature more diversity in the show, and sends a proposal to direct her next episode about the Beaudroux family, a Southern family from small town Louisiana with twelve children, ten of whom are adopted from Korea (64). She proposes showing them enjoying the local Pig Festival, watching cars race on a Saturday night, and enjoying their father’s rib recipe. Grace and Vern were high school sweethearts who immediately realized they were compatible and never looked back. Both were against overpopulation, and they both agreed to never have more than two of their own children. When the time came to keep their promise, they called a family meeting and picked their first adopted child, Joy, out of an adoption magazine. They followed the same practice for the following nine children. 

Grace asks Jane if she has any children and Jane explains that though she tried when she was married, she doesn’t have any currently. Grace then discusses her oldest child’s teen pregnancy and her fears over it. Jane’s crew teaches Vern how to cultivate the kudzu on his land, and how to treat it as a resource rather than a weed. Jane proposes including a factual voiceover about the introduction of the Japanese kudzu plant onto American soil, in order to explain that what initially seemed like a good, soil-saving idea was now mostly considered to be a rampant mess. 

Akiko loves the Beaudroux episode and goes out to buy the CDs listed on the soundtrack for that episode. John recently forced her to see a doctor who immediately realized she was bulimic and shamed her for it. The music from the Boudreaux show makes her feel better and forget about her unforgiving doctor and husband.

Shortly after the filming finishes, Grace wakes up from a nap thinking about how much she loves her life, and about how doing the spot for My American Wife has only solidified her faith in her family. The only child she worries about is Joy, who has recently taken to haunting Alison’s new baby. Thinking about Joy makes Alison feel bad, so she decides to change her thought pattern and focus on Vern and his newfound love for kudzu.

Chapter 5 Summary: “The Rice-Sprouting Month”

This chapter is prefaced by an excerpt from Shōnagon about her reverence for women divers.

Jane reads an article about how Japanese housewives do not like going to the butcher’s and want to purchase meat from vending machines instead. The article makes her think of Japan’s shock over a not guilty verdict given to an American who had shot a Japanese exchange student trying to ask for directions. The case verified Japan’s belief that Americans are gun crazy, something Jane is upset by. She thinks about how “deeply violence is embedded” in American culture (89). 

Jane’s focus then turns to her blooming relationship with Sloan. She admits to herself that she has feelings for him that now go beyond the sexual. She feels “safe” with him and encourages him to stop wearing two condoms during sex, a suggestion he takes (93). 

Akiko is working on an article about the dangers of pregnancy. As she writes the copy, she thinks back to her much more interesting job at the manga publishing house. She’d still be there if her boss had not decided to set her up with John as a favor to a business partner. It was during those uncomfortable first dates with John that Akiko started vomiting up her food.  She also thinks back to the night John arrived home inebriated, having just found out Akiko was bulimic. When she suggested they adopt, he swelled with rage, knocking her over, saying he didn’t want “some bastard of a Korean whore” as his child (100). Ever since then he had kept Akiko at home where no one could see the physical evidence of his anger. She feels he is being kinder to her, but ultimately looks forward to his “next business trip” (101).

His next trip turns out to be with Jane and her crew. Despite Kato’s support for Jane and her diverse choices, John thinks she is “incompetent” and unable to select families that will best sell the American meat (107). He arrives prepared to shoot down her selection of an African American family in Mississippi so that he can replace them with a white couple from Tennessee. In an effort to stop this from happening, Jane gets him drunk, hoping he will pass out and sleep through the next day’s work. The plan almost works until he regains consciousness and tries to rape her. She is able to get away, reminding him of his responsibilities to his job before bursting out the door. 

The next morning he shows up for work but is ill and hungover. His presence makes Jane “queasy”, but they set forth for a Baptist church in Mississippi anyway (110). Once there, they both enjoy the service and feel comforted by it. Eventually, John is so overwhelmed with emotion he starts crying and finds himself being comforted by Miss Helen Dawes, the wife Jane wants to do the show about. Back at Miss Helen’s house, where she lives with her husband and nine children, they discuss the family’s preferences for meat. Miss Helen’s husband explains they don’t eat much chicken because the hormones in chicken had changed his body. The Dawes then reveal they don’t like beef either which upsets John. On the way home John says they will go with the white couple instead of the Dawes. When Jane pushes back, insisting the show about the Dawes is much more interesting, John concedes that this is true, but is not the point. He says the point is to sell meat and that if Jane can’t understand that she will lose her job.

Chapter 6 Summary: “The Water Month”

This chapter is prefaced by an excerpt from Shōnagon in which she talks about her dislike for carpenters, whom she finds to be bland and submissive. 

Jane and her crew discuss how Americans are “uniformly obese” and wonder what the predominant cause is (123). Jane’s concern with American bodies goes far deeper. Through research, she learns about the history of the growth hormone DES which for decades was fed wantonly to American livestock because of its ability to plump them up. After the revelation that DES causes cancer and other changes in consumers’ physical appearance, there had been a long battle between the government and the livestock industry. Jane had not initially realized how dangerous the products she was pushing were. 

Back in Japan, John grows angry with Akiko for not finding the white couple from Tennessee authentic. He presses her for details about why she found the family “phony”, but when she explains he gets even angrier, saying that he can no longer trust her “subjective” responses (130). Relieved to no longer have to provide feedback, Akiko exits the room, only to find that John has followed her, hysterical that she closed the bathroom door behind her. 

Overall, the couple from Tennessee earns bad ratings, so the ability to find a compelling wife falls to Jane again. She chooses a small-town Polish family with a daughter who was once run over by a Wal-Mart truck. The Bukowskys could not afford medical care, so each person in their town took turns visiting the damaged girl, and eventually she started to regain control of her body. Once the media had gotten wind of Christina’s success story, Wal-Mart gave in and paid a large settlement for running over her.

People with children in similar compromised physical states started showing up at the Bukowskys' door and the Bukowskys kept taking the children in, hoping to help others like they had helped Christina. At the current moment, they ran a successful 200-bed facility and their only worry was Christina’s inability to conceive. Jane was hoping to use this family because the first thing Christina had asked for when she learned to speak again was her mother’s lambchops. She worried John would not let the episode happen, so she just avoided mentioning the lambchops until the episode was shot. Christina turns out to be gorgeous and wins over Jane’s camera crew instantly. There is a synergy between Christina and the camera crew and the episode comes out better than ever.

Akiko watches the episode of Christina rolling confidently around in her wheelchair and then heads out to buy some lambchops so she can test the recipe for John. The butcher only has Australian lambchops, but Akiko purchases them anyway, hoping they will taste the same. She spends a lot time preparing this meal and, in the end, feels proud of how the lambchops have come out. She carries them into a drunken John who knocks them out of her hand and pushes her into the TV. He says Australia is a land of “criminals and traitors” and leaves her lying in the living room (143). She eventually gets up and eats the lambchops and drinks some whiskey. She then heads to the bathroom and discovers that she has gotten her period back again. 

Chapters 4-6 Analysis

The dangerous effects of unchecked capitalism come to the fore in this section. Jane directly addresses this subject when she offers her opinion of Wal-Mart, pointing out that the widespread presence of this store has created a uniform America where local cultures once held sway. Capitalism also effects the family unit, as when Grace tells Jane all her adopted children were ordered out of magazine, with each child having memorized their description as if they were a product and not a person. Akiko also suffers at the hands of capitalism. Her relationship with John began as a business deal made by her boss, and as such she is stuck in a loveless, abusive marriage. 

It's not just the women who feel the effects of unchecked capitalism. Mr. Oda, for example, has a severe reaction to steroid-laced meat, and Miss Helen’s husband began to develop feminine sex characteristics after eating hormone-laced chicken. These chemicals entered the food supply due to the demands of mass production, and they escape regulation. 

It's capitalism’s obsession identical versions of things that causes Jane to develop a taste for what is strange or different. Her desire for Sloan, who is so unlike most of the men she is surrounded by, as well as her eye for families who fall outside one specific ideal, both seem to be a result of her railing against capitalism. In this way, she helps other people find joy in the unique, such as Akiko, who desperately needs to see beauty in something besides the status quo. One of Shōnagon’s excerpts also touches on the need to break away from a world where being a copycat is more valued than being an original. In this way, Jane is following in hero’s path.

This section shows how capitalism has influenced animal cruelty on an extremely large scale, causing heath issues and quality of life to deteriorate both for the livestock being raised and for the humans eating them. Jane’s self-awareness of her role in perpetuating this industry starts to weigh on her and complicates her success as a director. This anxiety foreshadows later plot developments in the text when Jane transitions from portraying and idealized version of American life to exposing the truths of the meat industry.

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