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At dinner that night, Maddy, Uncle Tony, and Patty feel the weight of Momly’s absence. Searching for small talk, Patty tells Uncle Tony about her fight with Krystal at practice from a few days before. Uncle Tony reminds Patty that Momly wouldn’t want Patty getting into trouble over her and that Momly views it as her job to “defend you” (188).
Uncle Tony and Patty connect again later when he comes to Patty’s room to check on her. He tries to encourage Patty to share how she’s feeling, but Patty still insists that she is fine because she doesn’t view herself as having another option.
Patty finally gives in to her emotions when Uncle Tony holds out an empty plate to her pretending there is one of her father’s signature strawberry cupcakes on it. Together, they “eat” the pretend cupcake, and Patty is overcome with emotion thinking about the weight of everything she has been through and how her life would have been different if her dad had not passed away in his sleep.
Patty, Maddy, and Uncle Tony adjust to their new routine by going to Ma’s house to pick her up for dialysis. For the first time, Patty and Maddy see Ma’s dialysis routine at the hospital. All of them go up to see Momly before her surgery, and Momly insists that Patty still take part in the race the next day.
There is a noticeable change in Patty when she arrives at school after visiting Momly. Uncharacteristic of her, she answers a question about a poem in English class and boldly joins Becca’s table for lunch again without waiting for an invitation. Becca shares the good news that the rules for their history project have been changed to share the workload amongst group members. Patty, happy to learn this, suspects that Becca had something to do with this change.
Patty greets TeeTee and Taylor without resentment during class and acknowledges that she and the girls both understand “what it felt like to want to fit in” (205). Patty learns that other aspects of Frida Kahlo’s life have already been claimed by her group members, which leaves her responsible for Kahlo’s childhood. She notices the parallels between Kahlo’s childhood struggles and her own, especially how both she and Kahlo use sports to cope with their personal struggles.
Momly’s surgery goes well, and the family will be able to pick her up on Saturday, the same day as Patty’s race. Uncle Tony decides that Skunk (Cotton’s brother) will drive Patty and Maddy to the race the next day.
Patty calls Ma and asks her for help making turkey wings in honor of Momly. She helps Maddy count her remaining braid beads and finds that she has 30 left out of the original 90. Both sisters are surprised by this after the intense events of the week. As Patty helps Maddy get ready for bed, she looks at the drawings Maddy has hung up in her room. Patty notices that in a group drawing she is the only one not smiling.
Patty wakes up in Maddy’s room the next morning and begins her pre-race routine. When deciding on a hairstyle, she goes outside her norm and begins braiding. She finds she is unable to finish the back, and she calls Maddy to come in and finish it for her. Maddy braids the rest of Patty’s hair and helps her add 30 red beads to her braids.
Patty waits for Skunk to arrive to drive her to the track meet and realizes how much she will miss having Uncle Tony and Momly there. When Patty opens the door, she sees that her best friend, Cotton has surprised her and will come to the race. Cotton reveals that Ma is also here to watch Patty’s race, which is surprising because the race is on a Saturday, a day that Ma usually needs to rest after dialysis.
Ma hugs Patty before the race and reminds her “you ain’t no junk” (223). Patty is anxious to learn that the 4 x 800, her event, is up first, and that the girls will race after the boys’ team. Patty and her teammates watch the boys’ race, which they easily win. Coach calls over Patty’s team for one last pep talk before their race and reminds them to “be there for each other” (227).
Deja runs the first leg and performs well, although it is clear she’s tired by the time she passes the baton to Brit-Brat. Brit-Brat can hold on to their lead but drops the baton just as she is trying to hand it off to Krystal, the third leg. Patty wants to give up in anger, but as she hears the cheers of her teammates, she remembers that her team needs her energy.
Just before she grabs the baton from Krystal and begins sprinting, she reminds herself that she is “strong enough. Your mother’s legs. Patina Jones ain’t no junk” (230). Patty can hear the cheers of her teammates and family from the stands as she reaches the end of the race. The narrative ends with a cliffhanger and leaves the results of the race up to interpretation.
Chapter 14 contains the emotional climax of the narrative, in which Patty finally gives into all the emotion that she has bottled up over the years since her father’s passing. Patty has spent much of the novel acting strong for those around her as an attempt to deal with the trauma of her childhood. When confronted with what could have happened to Momly and Maddy if the outcome of the accident had been different, Patty faces the fact that her childhood was not regular and mourns the loss of that childhood. She can no longer “keep it together” and in doing so she opens herself up to be able to truly process and begin healing (192). It’s poignant that the impetus for her emotional vulnerability is a game of pretend. Playing pretend with Uncle Tony allows Patty to relive a childhood that circumstance stole from her.
There is evidence of Patty’s healing at the end of Chapter 14. For much of the narrative, running has been something that Patty was devoted to, but only because it felt like a way to honor her father, or her mother, or as a promise to Maddy. Patty loves running, but it has not always been something she does for herself. In reading about Frida Kahlo’s childhood, her part of the project, she recalls that Kahlo took part in sports to strengthen her injured leg, but that it also strengthened her confidence. Patty relates to this: “A way to… sometimes even shut myself up. Just turn it all off. Leave everything, all the hurting stuff, the unregular stuff that seemed so regular to me, in the dust” (207). For the first time, Patty speaks about running as something that helps her and that she does solely for herself, rather than for or in relation to others.
After spending so much of the narrative questioning where she fits in and sacrificing for others, Patty has a robust support system for the day of her race. Patty reflects on this in the car to the race surrounded by those she loves: “These people. They were my constellation, or however Becca was saying it. The dots all connected” (220). The energy that Patty has put into others such as Ma and Maddy comes back to her as they both show up for the race in support of her. Patty no longer sees herself as an individual trying to hold everything together, but as one piece of a larger system.
This idea repeats one final time in the last chapter, which takes place at the race. Patty’s attitude in this race is meant to contrast the opening race of the novel. Patty is no longer racing alone, but with her 4 x 800 relay team, and despite her teammate dropping the baton, she doesn’t fly into a rage or give up. Her reaction shows that Patty has truly internalized Coach’s lesson: “Coach told me, no matter what, I couldn’t check out. I couldn’t leave my team hanging. They needed me. Not just my legs. But my support. My energy. We needed each other” (229).
The story ends on a cliffhanger during Patty’s leg of the race. This lack of traditional closure encourages a reading of the text that does not hinge on whether Patty wins the race. Leaving the ending open to interpretation places greater emphasis on what Patty has learned, rather than whether she will be rewarded with a win.
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By Jason Reynolds