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Danny is forced to head home to Pennsylvania after Sandy calls to tell him that Maeve has been admitted to a hospital. Maeve has a dangerous infection (cellulitis) that is life-threatening to diabetics. Danny goes to visit Maeve alone since the conflict between Celeste and Maeve has only increased over the years. Danny alternates between a desire to take care of Maeve and anger that she has not taken care of herself. He is afraid of losing her and is in the odd position of seeing her as a person who needs taking care of instead of allowing her to take care of him.
During the visit, Maeve tells him that she ran into Fluffy during one of Maeve’s spying visits to the Dutch House. Fluffy found a job as a nanny in New York after the Conroys fired her, eventually married, and has three nearly grown children. Maeve also reveals that Fluffy had an affair with Cyril. Like the Conroy children, Fluffy is still drawn to the Dutch House and the past it represents. Maeve strong-arms Danny into setting up a time to meet with Fluffy because Fluffy wants to ask Danny’s forgiveness for hitting him.
Danny is forced into more confrontations with his past in this chapter. He finally meets up with Fluffy several months after Maeve’s hospital stay. Fluffy is full of revelations. She explains to Danny that she was ejected from the Dutch House because she let Cyril know that she expected to marry him once the two of them began sleeping together. With Elna gone, Fluffy thought she could serve as a mother and wife in Elna’s place. Cyril told her that he was not divorced from Elna, so there was no way for them to marry. Danny suspects that Cyril lied because he had no intention of marrying his governess.
Fluffy also tells Danny how difficult it was for Elna in the final years of the Conroys’ marriage and how saintly Elna was. Fluffy also delivers a bombshell: She ran into Elna in the Bowery (then a bad neighborhood in Manhattan). Elna looks almost the same, but her hair is gray. Elna told Fluffy that she was working in a soup kitchen that serves addicts. Although Fluffy meant to go back to volunteer, her husband made it clear that the neighborhood was too dangerous.
Danny feels great anger as he realizes that his mother is alive and likely not that far from him geographically. The idea that she was that close and still did not visit changes his perception of Elna: “Whatever romantic notions [he] might have harbored, whatever excuses or allowances [his] heart had ever made on her behalf, blew out like a match” (203), he recalls. He tells Fluffy about his feelings of anger and abandonment, but Fluffy tries to convince him that he must forgive his mother. As Danny thinks over the irony of Elna being back all these years, he realizes that he likely also saw her two or three years prior one night when he was working an emergency room rotation. The woman he saw had called him “Cyril,” but the emergency room was so slammed with cases that the woman was gone by the time Danny went back. Danny wraps up lunch and heads back to his apartment. He has an epiphany that Celeste, unlike his mother, is a constant in his life. He proposes to her.
Maeve works with Celeste and Celeste’s mother to plan for the wedding, and there is some conflict between Maeve and Celeste. Celeste thinks the problem is that Maeve is jealous that Danny is getting married, while Maeve is still single and likely to stay single for the rest of her life. Maeve thinks Celeste is selfish for wanting to get married while Danny is in medical school. Danny consciously recognizes that he is marrying Celeste so that she can occupy the helpmeet role in which Maeve has served for all of Danny’s life; he thinks this is the source of the conflict but says nothing of this to Maeve. Danny increasingly chooses to exercise his independence from Maeve. For example, he decides not to tell Maeve that Elna is back. Danny feels that the two of them are at last “unstuck, moving forward in time just like everyone else” (208). He wants to savor this moment of peace, so he decides to delay telling Maeve.
Danny’s life moves apace, and he marries Celeste in 1977. They have a daughter (May) nine months later and a boy (Kevin) 15 months later. Following in his father’s footsteps, Danny buys and renovates a family home for Celeste in a gentrifying neighborhood. Fluffy moves in with them during Celeste’s difficult last trimester of pregnancy with Kevin. She stays around after Kevin’s birth because Kevin is so sick that he spends time in the NICU. Fluffy becomes an important figure in the lives of this new Conroy family. She cares for Celeste and the children, provides company for Celeste, and is enough of a draw to bring Maeve into the family circle despite the conflict with Celeste. The most significant impact that Fluffy has is that she fills in several key blanks about the Conroy family history. Celeste eats up the stories about the VanHoebeeks and the Dutch House.
Danny also learns more about his father. Specifically, he learns that Cyril got the money he needed to start his real estate empire in much the same way Danny did. A fellow patient at the military hospital in France during the war told Cyril that the military would be building something big in Horsham, Pennsylvania. Using his military salary and money he’d hoarded while working as a part of the project to bring electricity to rural America, Cyril bought land in Horsham. Cyril sold it at a huge profit when the Navy announced plans to build there, and he kept buying more property using this same method. During all this time, the Conroys lived so poorly that Elna just assumed they were still poor people. Danny realizes that Cyril kept so much from Elna that it was no shock when she couldn’t adjust to life in the Dutch House. He also wonders if the Conroys would have been better off if Cyril had married Fluffy.
In these chapters, Danny begins to experience important rites of passage associated with adulthood for many people—marriage, becoming a father, finding a career that fulfills him. These rites of passage are important because they are the foundation on which he begins to build an identity that is not explicitly founded on the central narrative of the Conroys, namely that they came into being as people because they lived in the Dutch House and then were expelled.
Danny’s marriage to Celeste, his reconnection with Fluffy when she becomes a de facto part of his family, and Celeste’s curiosity about his past create opportunities for Danny to compose another narrative for himself that extends beyond the one Maeve envisioned. Danny exercises agency in creating a new identity for himself by explicitly replacing Maeve with Celeste. This act, along with his decision to cease working to become a doctor, allows him to be something other than a perennial student who vengefully sucks up money from the educational trust. Danny transforms himself into a husband, father, property owner, and a businessman; he thus follows in his father’s footsteps.
Danny’s creation of his own family is one of the most crucial aspects of his adult identity. The choice of Celeste as his wife is one that initially seems to allow him to marry the right woman, one who willingly subordinates her own desires to his own. He moves unfettered into his businessman persona without the difficulties his father encountered with Elna.
The other significant impact of creating this family is that he welcomes Fluffy into his family circle. Fluffy is a bridge figure. She connects Danny’s past to his present by sharing details about his childhood with Celeste, who generally does not get such details from Danny and Maeve. Fluffy also helps Danny to learn more about his father; the details Danny learns about his father are ones that show Cyril, like Danny, used marginally ethical actions to secure money to build his company. Fluffy’s stories also confirm Danny’s sense that his father was clueless about Elna’s needs.
The most significant impact of Fluffy’s stories is the demythologization of the story of Elna. Elna, in Danny’s mind, is essentially dead. When she is represented by people in Danny’s life, they portray her as someone so otherworldly, so divorced from mundane realities like owning property and raising children, that her act of abandoning her children must be forgiven. The shock Danny receives at learning that she is alive and in the Bowery is one that is salutatory. Elna steps down out of the stories Danny tells about his childhood and the Dutch House and into the dirty environs of the Bowery. She becomes a real figure to him. Patchett’s insertion of that moment of missed recognition when Danny sees her in the emergency room where he works one night—almost a repressed memory—is symbolic of the way that Elna becomes a human figure.
Danny chooses not to share this information with Maeve; he claims the decision to do so is out of a sense that it would damage her by forcing her to once again be so caught up in her trauma that she could not continue to move forward. Another less altruistic reason for his reticence to share this crucial piece of information is that Danny understands that a key element of what constitutes his relationship with Maeve is the story that they both share—they are Conroys who became orphans when Elna left and Cyril died. To acknowledge that Elna’s absence is no longer a fact would destroy the little dyad that the two have already created, especially considering the way it is already threatened by Danny’s relationship with Celeste.
There is a shift from this point on in the narrative when it comes to the power dynamic in Danny and Maeve’s relationship. When Maeve lands in the hospital because of untreated cellulitis, Danny asserts his authority as a doctor to chide her for her carelessness. Danny also more overtly disagrees with Maeve when she tells stories about their past. He asserts himself in these ways because he finally has competing versions of the past, ones that are not mediated by Maeve.
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By Ann Patchett