42 pages • 1 hour read
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The scene in this chapter parallels the scene in Chapter 3, with Amabelle and Sebastien talking in bed together at night, except this time he is asking about her father instead of her mother, and Amabelle is more reticent to reply. Amabelle says her father was “joyful” and playful in ways her mother was not (33). She then asks about his father and he reveals that as a young boy, he tried to carry his dead father as blood poured from his father’s throat.
Señor Pico Duarte, Señora Valencia’s husband, arrives and runs with joy to his wife and newly-born children. He names the boy Rafael after the Generalissimo. Señor Pico then dismisses Juana and Amabelle so he can be with his family. Juana and Luis sit down to have dinner together and Luis reveals that on the way home, Señor Pico hit and killed a pedestrian with his vehicle. Before the conversation can further develop, Doctor Javier and his daughter, Señorita Beatriz, arrive to check on the newborn twins. Shortly after their arrival, Juana is asked to stay the night and Amabelle is sent home. Señor Pico tells Señora Valencia that he has a new assignment in the military, but Señora Valencia is less than pleased with this advancement, as she fears it means Señor Pico will spend even more time away from her. Before Amabelle leaves, Papi corroborates Luis’s story and admits they may have killed a man and left him to die. At home, Amabelle reflects on her experiences playing in Henry I’s citadel as a child. Her reverie is interrupted by Sebastien, who walks in bloody and grass-stained and tells her that his friend and colleague, Joël, has been hit and killed by a car. He explains that he is helping Joël’s father, Kongo, make funeral arrangements. He leaves and Amabelle lays down to await his return.
Amabelle describes the day her parents drowned. She was a child following them back from a shopping trip in Dajabon. They needed to cross over a river during a rainstorm. Despite her mother’s warnings, her father insisted it was safe. He decided to carry her mother across and come back for Amabelle. Her parents were quickly swallowed in the current and killed. Amabelle screamed and tried to commit suicide but was pulled back from the water by some nearby boys who had earlier tried to save her parents.
In this section, several seeds are planted. On the one hand, resentment blooms in Amabelle. Her father’s foolish bullheadedness, the “invisibil(ity)” her community asks her to retain, the hand-me-downs she inherits from Señora Valencia, and the way she sees her husband’s friend discarded like trash because of his nationality all pump like poison through the protagonist, leading readers to wonder if and when she is going to become unhinged. The roots of nationalism also increase in figurative thematic volume in these chapters. What began as curt dialogue quickly manifests into violence when Joël is hit and left for dead simply because he is Haitian, rather than Dominican. Additionally, Señor Pico does a lot to arouse readers’ suspicions in this section. His physical and emotional distance, his condescending way of calming Señora Valencia’s worries, his vehement dismissal of a dead man, and his militaristic views all push readers to question his potential for future evil. The reader leaves this section aware of several pressures accumulating on the page and sure something must come to a head soon.
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By Edwidge Danticat