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The candy kisses Joe gives Missie May as part of their weekly “mock battle,” when he hides the kisses in his pocket, function as a symbol of his affection for her: “‘Lemme git dat paper sack out yo’ pocket. Ah bet it’s candy kisses.’ […] Joe smiled indulgently and let his wife go through all of his pockets” (87-88). The doubly sensual implications of the candy—pleasurable taste combined with an allusion to sexual intimacy—suggest the importance of physicality in the couple’s relationship, developing the theme of Sex, Physical Desire, and Marriage.
At the end of the short story, Joe’s use of Slemmons’s half-dollar to purchase Missie May candy kisses once more represents his forgiveness of her, his affection for his newborn son, and a return to a happy marriage, with the expectation of real kisses to follow.
The gilded six-bits have a dual function, symbolizing both Otis D. Slemmons’s greed and falseness, as well as Missie May’s infidelity; in both cases, they develop themes of The Function and Morality of Money and Appearance Versus Reality. When Slemmons first arrives in town, his wealth is literally on display in the form of gold $5 and $10 dollar pieces on his person; when Missie May discovers that the $10 piece Joe took from him is actually a gilded six-bit, it becomes clear that his wealth is a deception, and Slemmons no more than a con man.
Joe carries the gold coin around in his pocket even before Missie—and thus the reader—realizes it’s gilded. It is a symbol of her betrayal of Joe, “a monster hiding in the cave of his pockets to destroy her” (96). However, when its falseness does come to light, it hammers home the emptiness of Missie May’s pursuit of wealth: In leaving the coin under Missie May’s pillow after sex, Joe implies that she slept with Slemmons in exchange for something that had no value to begin with.
Nevertheless, the coin itself is not quite worthless, as Joe uses it to buy candy kisses for Missie May at the end of the story. The action is symbolically significant on multiple levels. For one, it releases Missie May from the physical reminder of her guilt, suggesting Joe’s forgiveness. It also represents a return to the “economy” with which the story opened: Neither Joe nor Missie May continue to lust after the gold as a symbol of status, instead contenting themselves with what the coin can actually buy. Finally, it suggests the marriage’s durability, as Joe turns even this memento of Missie May’s betrayal to good use, exchanging it for something that will strengthen their relationship.
Missie May’s cooking is a symbol of her love for her husband; like the candy kisses Joe brings home, it is one way she expresses her affection for him. At the beginning of the story, the couple enjoy a large meal lovingly prepared by Missie May: “Big pitcher of buttermilk breaded with pale drops of butter from the churn. Hot fried mullet, crackling bread, ham hock atop a mound of string beans and new potatoes, and perched on the window-sill a pone of spicy potato pudding” (88). After Missie May has slept with Slemmons, she is eager to prove her love for Joe, making amends for her infidelity by preparing him one of his favorite meals the next morning: “Joe loved fried chicken and rice. She didn’t deserve a thing and good Joe was letting her cook him some breakfast” (95).
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By Zora Neale Hurston