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50 pages 1 hour read

The Heart Is a Lonely Hunter

Fiction | Novel | YA | Published in 1940

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Part 2, Chapters 1-7Chapter Summaries & Analyses

Part 2, Chapter 1 Summary

Mick’s summer is the most interesting one she’s had. She takes care of her little brothers during the day, but her head is full of thoughts and music. At night, she sneaks out to walk alone with her music and ideas. It is also the summer she discovers that her beloved father is his own individual separate from the role of her father. He had called her into his workshop, where he fixes watches after an injury made him incapable of completing his carpentry work. Mick senses that he wants to talk to her, but instead they sit in silence. This is how Mick realizes that “He was lonesome and he was an old man” (41). She figures that her father feels ashamed of not bringing more money into the family and is lonely because his kids don’t spend time with him.

Mick is multifaceted and ambitious. Unlike other girls her age, Mick isn’t afraid to wander alone in the town after dark. She starts taking Spanish lessons and teaches Bubber the new language. Mick enjoys high school, but she quickly learns that her habit of drifting into every clique won’t do in high school. To make friends, she throws a party at the boarding house for a group of her high school peers. Mick dresses up in her older sister’s dress and pumps, and it is the first time Mick has dressed so femininely. The party is at first exciting, but at times, the boys and girls are awkward around each other.

Mick is becoming more aware of boys: She notices her neighbor Harry Minowitz, who is two years older than her but now seems grown up. Harry asks Mick on a “prom” to take a walk with him around the block. She hums Mozart as Harry tries to tell Mick about all of his opinions about fascism. Suddenly, they are interrupted by chaos at her house as they round the block: The neighborhood kids have snuck into Mick’s party and are wreaking havoc on the other, better-dressed guests. At first, Mick is embarrassed by her neighborhood friends, but they make the party more exciting. All of the kids abandon the party and play wildly in the street like children. Mick falls while playing in her heels and dejectedly returns alone to her house, realizing that she’ll never wear shorts instead of a skirt again.

Later, Mick goes out on one of her solo night walks to a neighbor’s house and sits outside of their window, listening to their radio programs. She listens to Beethoven on their radio and discovers that “This music was her—the real plain her” (48). Mick’s emotional response to the music is deep and terrible because she knows she can’t hear it all in one sitting. She’s distressed that she forgets the notes of the song once it’s over and tries to beat herself with a rock out of anger. Mick drifts off to sleep outside, and when she wakes up, she realizes she can hear the Beethoven piece again in her mind.

Part 2, Chapter 2 Summary

One day in October, Biff’s wife, Alice, cries out in pain, and they go to the hospital. The doctors remove a large tumor, but Alice passes away. Biff plans her funeral and mourns her loss. Then, he visits Mick’s dad so he can fix his watch and meets with John to talk about his life. Biff meets Alice’s sister, Lucile, who has a young daughter, Baby, whom she wants to turn into a model: She doesn’t want her daughter to end up like the other kids in the neighborhood, whom Lucile thinks are common and crude. Lucile has been in an on-again-off-again relationship with Baby’s father, Leroy, whom Lucile has married and divorced twice. Biff admits that he and Leroy once got in a fight when Leroy drunkenly threatened to beat up Lucile. Lucile tries to think not of the past but of Baby’s future and encourages Biff to not live in the past.

After Alice’s funeral, Biff returns to work. John and Jake have been hanging out in the café-bar, and now Mick comes around often to play the radio and sit with John. The radio plays a song Biff used to dance to with Alice. He wonders what John is thinking.

Biff feels that something is wrong.

Part 2, Chapter 3 Summary

Dr. Copeland is busy caring for the Black community during a bout of influenza. Meanwhile, Willie is arrested for stabbing a man during a bar fight and is sentenced to nine months of hard labor in a prison far away from the town.

Dr. Copeland spends more time with John, to whom he talks about biology, the chemistry of conception, and race. Portia invites her father to a family reunion, which her grandfather and Dr. Copeland’s two other sons will attend. At the family reunion, Dr. Copeland and his sons are awkward with one another after not having spoken in a few years. Portia’s grandfather tells them that his biblical studies have led him to believe that when Jesus returns, he will turn all the suffering Black people into white people. This angers Dr. Copeland, but he keeps his thoughts to himself.

Dr. Copeland feels better after he spends time with John, but then a white man carrying a heavy sack runs into Dr. Copeland, and he falls to the ground. Dr. Copeland recognizes the white man and doesn’t engage with him.

Part 2, Chapter 4 Summary

The white man who ran into Dr. Copeland was Jake. Jake asks John who the tall Black man was who just left because he had given Jake a dirty look.

Jake tells John the story of his childhood: Jake has been working since he was a child, and at age 10, he left home without saying goodbye to his family. Back then, he dreamed about becoming a preacher. He moved around a lot and eventually ended up working for a woman named Miss Clara, who talked to him about many things. Miss Clara helped Jake develop his current beliefs about the evils of capitalism. Now, he tries to preach about the truth of society.

Jake has grown accustomed to the town, which is like most places he’s been. He’s horribly lonely and tries not to spend much time alone. He drinks a lot and gets into fights with men who laugh at him.

Jake tried to get involved in organizations that championed anti-capitalist philosophies, but his fellow organizers robbed from their shared treasury. Jake is bitter about this and no longer believes that it’s possible to change society. He gets so angry talking about the unnatural way society oppresses individuals that John grows concerned for him. Jake sees a slogan painted on the wall of a building, so he writes a note in response asking the writer to meet with him. Though Jake waits and waits, the writer never appears.

Part 2, Chapter 5 Summary

Mick stays after school to practice learning to play the school’s piano. She figures out some chords from the music in her memory, and even creates some of her own tunes. A classmate named Delores who has had formal piano lessons teaches Mick some basic chords in exchange for Mick’s lunch money.

Mick admires Harry from afar because he seems so grown up to her, but when she makes a Hitler joke, she hurts Harry’s feelings (Harry is Jewish). Afterward, Mick and Bubber debate misconceptions about Catholicism and Judaism.

Mick admires Baby as she walks down the street all dressed up, but Baby refuses to speak to Mick and the other neighborhood kids. While Bubber is playing with a shotgun, he accidentally shoots Baby, hitting her in the head. A frantic scene ensues in which Mick’s father helps get the doctor, and Lucile breaks down in the street. Baby survives the shooting, but her skull is fractured. Bubber is missing, but Mick knows where to find him: She wants to punish him, so she tells him that Baby is dead, and Bubber needs to hide from the police, who will send him to Sing Sing prison.

Lucile returns to the hospital with Biff at her side. Lucile doesn’t want to sue the Kellys but wants them to pay for Baby’s medical expenses. Once Mick is certain that Bubber won’t be arrested, she returns to his hiding spot, only to find that he’s run away. They search for him and find him trying to hitchhike. Mick’s father forces Bubber into the car, and Mick explains that she made up the story about Sing Sing. Back at home, Bubber screams and says he hates everyone. His anger is uncharacteristic of his usually peaceful and empathetic seven-year-old personality. That night, he cries himself to sleep and doesn’t let Mick comfort him. Feeling guilty and full of love for her brother, Mick holds him while he sleeps. After the incident, Bubber is never the same again. He starts going by his real name, George, and stops talking or playing with the other kids. Instead, he spends his time sitting alone.

Part 2, Chapter 6 Summary

Portia is worried about Willie, who didn’t write her his weekly letter from prison. The last Portia heard from him, he’d been transferred out of prison and onto a chain gang.

Dr. Copeland is in charge of picking a winning high school student whose essay on how to move the Black race forward gets a five-dollar prize. The one essay that is good enough for the prize is problematic because the student writer expresses ambitions to avenge the Black race against white people, whom he says he hates. He recognizes the writer of this essay as Lancy, whom Dr. Copeland attended to when Lancy was younger and tried “self-emasculation” in an instance of paranoia.

Dr. Copeland and Portia plan a party for the Black community in which they’ll pass out donated gifts to the children. John is the only white man who contributed to the gift drive, so they invite him to the party. At the party, Dr. Copeland makes a grand and powerful speech about Karl Marx, who is someone he admires because of his philosophies on work and dignity. Afterward, Dr. Copeland announces that the winner of the essay contest is Lancy. Dr. Copeland hopes that his words made an impression on the community he loves, despite his perceptions of their shortcomings.

Part 2, Chapter 7 Summary

The winter is unusually cold and harsh, and it has a negative effect on the townspeople. The town has been stressed by the recent murder of a foreman by one of the employees at the factory, and a Black man was beaten for moving into a home too close to white people. The general feeling is of poverty and depression.

Now when John walks around town, many people stop him to chat. The more he gets recognized, the more rumors swirl about him: People gossip that he’s Jewish or Turkish, or from a wealthy family. John often thinks of Spiros and how their friendship was not without its challenges. Once, they befriended another man who is deaf named Carl, whom Spiros drove out while Spiros was drunk, believing that Carl had drunk all his gin. Another time, Spiros stole their rent money and lost it in slot machines. Various bad memories about Spiros cloud John’s mind, but he tries to dwell instead on all the things he loves about Spiros. Spiros is the only person in whom John has confided, and now that it’s been a year since he has been at the psychiatric hospital, John misses him more than ever. His new friends are not a replacement for Spiros, and in fact, they confuse John with their repetitive stories and ideas. He hasn’t spoken to anyone in a long time, and his hands shake as he signs at night without anyone to listen.

His friends usually visit him one at a time, but one day, they end up all visiting at the same time. It is an awkwardly silent visit, and John didn’t understand why they don’t speak to one another. He writes Spiros a letter even though Spiros can’t read. In the letter, John writes about an upcoming gathering of people who are deaf. He would like to attend but can’t without Spiros. He writes about his odd new friends who are mired down by their obsessions. John decides to take time off work and visit Spiros again. This time, he leaves a note for his visitors.

When John arrives, he discovers that Spiros is in the infirmary. John eagerly uses sign language to tell Spiros about everything he’s missed, but Spiros seems uninterested. Still, the visit does John good. When he returns to town, the rumors about him intensify, and John becomes a figure onto whom people can project their own stories.

Part 2, Chapters 1-7 Analysis

Part 2 begins with Mick’s character development. She experiments with growing into a woman by performing traditional female gender roles. She trades her shorts for skirts and tries to embrace the femininity of her older sisters. For Mick, this development is a loss of childhood innocence. She believes that the days of rough play that she enjoys so much are behind her. She catches herself feeling ashamed of the crassness of her neighborhood and realizes that she cares more about her appearance than she had previously believed. Mick’s subplot in The Heart is a Lonely Hunter is a coming-of-age story. She experiments with new styles and personalities because she is trying to discover who she is, just like any other adolescent. A major development is that Mick finally gets access to a piano at school and starts learning how to play. Mick’s intimate relationship with music now has an outlet. Her love for the piano is also a source of resentment because she knows it is unlikely that she will get the shot she deserves at becoming a musician. Still, she keeps her dream alive by practicing what comes naturally to her. For Mick, the piano is a symbol of her coming into her womanhood and true identity: Music is so central to Mick’s identity that she compares it to God. Through music, Mick replaces the existential crisis of God with pure presence and the beautiful experience of being. In a strictly Christian community, Mick’s music as spiritual highlights how different she is from her society.

Mick is not the only character who loses her childhood. When Bubber accidentally shoots Baby in the head, his childhood is swiftly taken away from him. Though he is not punished by law for the shooting because he is only seven years old, the trauma haunts him, and he doesn’t receive emotional support from his family. In fact, because Mick told him that Baby was dead and that he would go to prison, it is Mick who drives him away and betrays him. Bubber now can’t rely on himself or his once-beloved older sister, and the guilt of the shooting as well as the disillusionment of his family’s security turns Bubber into George, a serious and quiet boy.

Though Mick feels guilty about this development, she doesn’t know how to get George to forgive himself or her. Mick was cruel to George when he was at his most vulnerable. She never intended for George to become so traumatized by her lie, but the inadvertent destruction of his feeling of safety makes Mick an antagonist in Bubber’s story. This is juxtaposed with Mick’s deep love and concern for her brother, which still exists despite her uncaring behavior. Through this, McCullers highlights that love is complex and sometimes expresses itself in counterintuitive ways. With these developments, George becomes another lonely character in the novel.

McCullers highlights other identity crises in these chapters. Portia’s grandfather believes that the return of Jesus Christ will bring the Black community whiteness, which he equates with salvation. His desire to be white is an insidious by-product of his society’s racism: Grandfather has internalized racism and hates himself for his Blackness. He is a foil to Dr. Copeland, who is proud of being Black and believes in uplifting the Black community, not bowing to the supposed superiority of whiteness. Though Dr. Copeland’s coldness at his family reunion is awkward and indicative of his strict and unforgiving nature, his positive relationship with Blackness protects him from low self-esteem and internalized racism. However, Dr. Copeland still seeks white approval and wishes the Black community would act in a manner he finds more dignified. Dr. Copeland’s disappointment in his children is tied to this sense of dignity and Black pride. Copeland sees his children as Black people who have not tried to take advantage of opportunity and rise in their stations, thus keeping them beholden to the white race. Dr. Copeland is lonely by choice because he refuses to pander to what he sees as his children’s failures. The easy way for Dr. Copeland to repair his relationships is to extend more kindness and understanding to his children. However, this would be in diametrical opposition to everything that Dr. Copeland has done to preserve his self-esteem in the face of segregation and racism. If Dr. Copeland believes that if he changes the high expectations he has for his children and for the Black community, he risks lowering his expectations for himself.

Willie is a tragic example of how racism prevents Black people from upward mobility. Willie made one mistake in a bar fight that led to his arrest and incarceration. This mistake destroys the security he had with his family because they all rely on one another. It will be difficult, though not impossible, for Willie to start over when he is released. Portia tries to help her brother by getting white people to vouch for him, which highlights the racism of the justice system. The implication that white approval can save Willie reveals that Willie’s imprisonment is more about his race than about the crime itself. What’s more, Willie is transferred from prison to a chain gang, which is a thinly veiled form of enslavement. Willie’s incarceration is a tragedy for Dr. Copeland, but at the same time, Dr. Copeland blames Willie for putting himself into servitude to white society. Dr. Copeland does not extend the same empathy to Willie that Portia does. For Dr. Copeland, the reality of his son as enslaved is painful, shameful, and disappointing. Copeland has a vision for his children, and in his view, they’ve all failed—especially Willie. But as McCullers shows through Portia’s concern for her brother and her desire to see her family reunited, community support is crucial when individuals fall on their worst times.

Dr. Copeland doesn’t like Jake because Jake put him in danger when he drunkenly brought Dr. Copeland into a white café-bar in Part 1. However, they are unknowingly united through their admiration of Marx. Dr. Copeland evokes Marx as a way to inspire the Black community. For Dr. Copeland, philosophers like Marx are more useful than beliefs in Jesus Christ. Marxism encourages a restructuring of society that values objects not for their materialism but for the work that creates the object. Marxists believe that all human beings are equal, and that this equality should be expressed through the division of labor and wealth. Dr. Copeland evokes Marx to show his community a system of thought that divorces the individual from their toxic and oppressive society. Jake also believes in Marx’s message, but he is more disillusioned than Dr. Copeland because as a white man, Jake can afford to be lax in his beliefs. Jake is angry about the injustices he sees in society, but he doesn’t do anything about it. Dr. Copeland, on the other hand, can’t risk the future of himself, his family, or his people. It is dangerous to be a Black man in segregated America, so Dr. Copeland must fight for his beliefs, not just rant about them.

This section delves into John’s isolation amidst his growing number of friendships. As John is placed in the role of a listener, he has the opportunity to observe his friends. He is confused by their inner conflicts and fixations. The more John listens to others, the more his own internal conflicts develop. John is a “good listener” because his new friends don’t care to learn sign language so that they can hear John out on his own terms. John can’t express himself to his friends, so they project their need for companionship and understanding onto him. This drives John to continue his friendship with Spiros, even though Spiros no longer seems interested in a friendship with John. John’s isolation begins to affect him psychologically and physically; because he hasn’t used sign language in a long time, his hands sign in his sleep. This physical manifestation of his loneliness highlights the depths of John’s isolation. Though he's surrounded by people, he is misunderstood and emotionally ignored. John understands that people like Jake believe that John understands some intimate knowledge and wisdom. But Jake is wrong about this. Jake’s projections about John highlight how people take advantage of him. Still, self-centered companionship is better than nothing, so John continues these one-sided friendships. Because of his deafness, the town makes a martyr out of him, which dehumanizes him: Mick plays music for him even though he can’t hear the music. Dr. Copeland believes that John is a rare example of a good white man. Jake believes John shares the same wisdom he does. Biff is less taxing on his expectations for John, but he, too, searches for something from John that John can’t give. Due to their unacknowledged biases, John’s so-called friends don’t treat him like a real person. Rather, they treat him like a talisman on which they can freely share their thoughts and feel heard because John doesn’t talk back.

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