58 pages • 1 hour read
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William Kent Krueger is an American writer best known for his Cork O’Connor mystery series. Set primarily in northern Minnesota, the series features detective Cork O’Connor who is of both Anishinaabe (Ojibwe) and white heritage. Krueger is also the author of the mystery The Devil’s Bed (2003) and the standalone works of historical fiction Ordinary Grace (2013) and This Tender Land (2019). Krueger is interested in Minnesota and its surrounding areas and in the way that Indigenous cultures, traditions, and histories have shaped the region. In 2005 and 2006, he won the Anthony Award for best mystery novel, and in 2014, he won an Edgar Award for Ordinary Grace. This Tender Land was on the New York Times bestseller list for almost six months. He has additionally been the recipient of the Minnesota Book Award, the Loft-McKnight Fiction Award, the Barry Award, and the Friends of American Writers Prize.
Krueger was born in Wyoming and raised in the Cascade Mountains of Oregon. He attended Stanford University for a short time before being forced to leave for taking part in radical protests of the Vietnam War. He then worked a series of odd jobs including logging, construction, and freelance journalism. He eventually settled in the Twin Cities so that his wife could attend law school, and it was there that he began to write. Krueger writes in the early morning hours and has long been a fixture at various cafes and restaurants in St. Paul where he and his family still live. Although not a native Minnesotan, he has a deep and abiding love for his adopted home, and his true-to-life depictions of Minnesota life and culture have made him a favorite on the local literary scene.
Krueger’s works of genre fiction are contextually rich and character-driven. He is particularly interested in Indigenous history, and although he cites Ernest Hemingway, Harper Lee, John Steinbeck, F. Scott Fitzgerald, and Tony Hillerman as influences, he has also expressed a deep intellectual debt to Indigenous writers William Whipple Warren, Basil Johnston, and Gerald Vizenor. As an undergraduate, Krueger studied cultural anthropology, and he brings a commitment to accurate representation of Indigenous history and culture to his writing. The Cork O’Connor series, although action-packed and plot-driven, showcases Anishinaabe (Ojibwe) customs, history, and even language, and introduces readers to various Indigenous communities in and around the Lake Superior Region of Minnesota, Wisconsin, and Michigan. Krueger’s standalone novels, which include both crime and historical fiction titles, delve deeply into Minnesota’s history and represent the complexity of its multi-ethnic social fabric, with a particular focus on life in rural areas.
The Dakota War of 1862, although described only briefly, is an important backdrop for The River We Remember. The events of the conflict and how they have been interpreted are key points of historical connection in the novel and shape contemporary events. Krueger mostly refers to the Dakota War as the “Sioux Uprising,” which although historically accurate to the novel’s mid-20th-century setting, is now considered dated. He addresses this rhetorical shift late in the novel, depicting the way that historians came to re-interpret the events of the conflict in light of emerging understandings of the way that prejudice and bias shaped American interpretations of Indigenous history. The shift in both the characters and the narrative’s vocabulary models the possibility for education to redress the bigotry and prejudice that has been enshrined in American history.
The Dakota War was an armed conflict between the United States and several different bands of eastern Dakota that were, at the time, collectively known as the Santee Sioux. (Dakota, Lakota, and Nakota have replaced the umbrella term “Sioux,” which is considered offensive today.) After the four bands of eastern Dakota had been coerced into ceding large swaths of their land holdings to the United States, they were forced into a small strip of land running alongside the Minnesota River. Historically, hunters of both large and small game, the Dakota were pressured to turn their efforts to farming. A crop failure and the depletion of wild game due to increased white settlement in the area caused starvation in the Dakota community. Tensions erupted in August of 1862 when a group of Dakota, facing starvation, attacked white settlements at the Lower Sioux Agency located along the Minnesota River. The violence lasted for five weeks. Hundreds of white settlers and American soldiers were killed, and hundreds of hostages were taken. The number of Dakota casualties is still unknown, but 2,500 surrendered or were taken into custody at the end of the conflict. The surviving Dakota were then expelled from their homes and temporarily confined to a concentration camp at Pike Island, near Fort Snelling, Minnesota, on the confluence of the Minnesota and Mississippi rivers. There, many died of cholera, starvation, and exposure. Those who survived were forcibly transferred to reservations in what would become Nebraska and the Dakotas. The surviving Dakota soldiers were tried in what is now seen as a sham proceeding. Although hundreds were slated for execution, President Lincoln commuted the sentence of all but 38 Dakota soldiers. The killing of these 38 men in nearby Mankato remains the largest mass execution in US history. The land surrounding what had once been the Upper Sioux Agency became a state park, and in 2024 ownership of this land was transferred back to the Dakota. Pike Island remains part of Fort Snelling State Park.
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By William Kent Krueger