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The “Queen of Mirth” is a game characteristic of the faerie folk that illustrates the divide between them and mortals: “Steal away a mortal girl, make her drunk on faerie wine and faerie flattery and faerie kisses, then convince her she is being honored with a crown—all the time heaping insults on her oblivious head” (101). In this instance, they know their target in Jude is fully aware of her situation, giving the game a new layer of meaning.
The crown, built of branches and mushrooms, becomes an inversion of the High King’s crown, the one Jude has worked so hard for and controls in secret. It is meant to be a symbol of ridiculousness, and it shows Jude a mirror image of her hopes and ambitions. The experience of being crowned also shows how Jude is beginning to grow and learn how to play the long games of faerie kind. Though tempted to rebel, Jude embraces her new role and takes control of it, turning the game upon Cardan. Instead of turning and leaving, as she has the power to do, she stays and plays her part, attempting to do so in a way her audience does not expect.
In Faerie, the High King’s crown is the ultimate axis for the events of the plot. In the Queen of Mirth game, even a symbolic crown has power. Jude relies on its symbolism within the boundaries of the revel to direct the music and take control of her circumstance. And while the High King’s crown represents politics and luxury and enchantment, the crown of the Queen of Mirth represents a wilder order that is just as much a part of faerie kind. This scene serves as both foreshadowing and foil to the book’s major turning point: Jude becomes High Queen of Faerie, and yet has no power at all—a direct inversion of her role as Queen of Mirth.
Jude’s relationship with her twin sister Taryn is complex, and this is symbolized in the earrings Jude purchases for her as a wedding gift. The complimentary moon and star set is also a perfect example of the magical and social politics of Faerie: they are exquisitely designed by a master craftsman, and subtly enchanted in such a way that has both benefits and drawbacks. If Jude gifts them to her sister, she herself will be outshined even more.
The smith understands Jude’s hesitation; here is a test of her loyalty, even if the repercussions affect only herself. Though Jude is envious of Taryn in many ways and often disagrees with her choices, she proves repeatedly that she loves her sister and wants their relationship to be positive. Jude buys the earrings to help her human sister shine. This displays how Jude always puts her sister above herself, and how their bond transcends her pride. It’s this dynamic that makes Taryn’s eventual betrayal so much more difficult to bear.
Later, Jude loses the earrings during her fight with Locke and his friends. They show up on Taryn’s ears, telling Jude that Locke stole them and gifted them to her himself. The earrings become a symbol of how often Locke comes between the two sisters, creating discord and pushing them farther and farther apart. As the story ends and Taryn tricks Cardan by pretending to be Jude, they recognize the deception by the earrings she wore. They evolve into a symbol of the distance and contrast between the two sisters: While Jude will always put Taryn first, Taryn will always choose loyalty to Locke and Madoc.
Although much of the novel takes place in the faerie realm, it’s never far from the surface that several of the book’s characters originally come from the mortal world. Jude kept two of her stuffed animals from her mortal life when she came to Faerie: a cat and a snake. The cat is notable because Jude’s older sister Vivi has distinctive cat eyes; the animals can be seen as a representation of Jude’s two sisters, the snake hinting at Taryn’s coming betrayal.
To Jude, the toys are both a comfort and a symbol of her weakness: “I take them and press them to my chest, as I might a pillow. Right now, they feel like reminders of all my vulnerabilities. They make me feel like a child playing a grown-up game” (39). Taryn offers them as a form of connection to the childhood they shared. Her relationship with Taryn makes Jude vulnerable. Both consciously and unconsciously, Taryn seeks to exploit that vulnerability.
After Taryn leaves, Jude shares one last moment with her toys and burns them. This shows not only that she is leaving her childhood behind and moving into her adult role, but also that she has taken another step towards distancing herself from her family. The complete and irreversible destruction of these symbols shows that this rupture is permanent. Even if Jude and Taryn can create a new beginning together in the future, it will never be the way it was. Jude has left a piece of herself behind forever.
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