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52 pages 1 hour read

The World of Yesterday: An Autobiography

Nonfiction | Autobiography / Memoir | Adult | Published in 1942

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Themes

The Rise and Fall of Cosmopolitanism

The rise and fall of cosmopolitanism is one of The World of Yesterday’s most important themes and in many ways is its most overt. Cosmopolitanism is the idea that humanity should identify as one single community rooted in shared beliefs, values, and ideals rather than national origin or sociocultural identity. Rather than identifying as Austrian Jewish or Viennese, Zweig considers himself “a citizen of the world” (251). His identity is rooted in a very particular, pan-European intellectualism that for him and his cohort was more important than nationality, culture, or ethno-religious identification.

Zweig’s cosmopolitanism has its origin in Viennese intellectual life, which Zweig was exposed to from an early age. Although not overly moved by what he perceived as outdated curriculum in Austria’s educational system, he was profoundly inspired by the artists, writers, philosophers, and musicians who flocked to Vienna during the late 19th and early 20th century. He grew up with access to the newest symphonies, operas, works of literature and philosophy, and intellectual innovations in Europe, and it was this atmosphere that taught him to value the pursuit of knowledge above all else. He also notes the lack of prejudice and antisemitism in the Austro-Hungarian Empire and the harmony among multiple ethnic and national groups. This too shaped his views on cosmopolitanism.

The values of cosmopolitanism underpinned his work. He spoke multiple languages, his books were translated widely, and he himself worked as a translator. In his biographical writing he did not limit himself to Austrian authors. Through his literary output, he hoped to add to the body of pan-European writing and showcase the thirst for knowledge that he felt characterized the world of arts and letters in Europe during this era.

Cosmopolitanism also shaped his personal relationships, and all of the friends and collaborators whom he writes about in his memoir share his dedication to pan-European identification. His early associations with Herzl, Verhaeren, Rilke, Rolland, and even Sigmund Freud display an intense gravitation toward like-minded thinkers. World Wars I and II would further cement these bonds, as they came to symbolize for Zweig the ability to maintain a sense of pre-war cultural identity and an international values system against the rising tide of an ideology that sought to divide Europe along ethnic, racial, and national lines.

It is precisely because of his commitment to cosmopolitanism that the world wars were so deeply painful to Zweig. In place of pan-European unity and identity there rose a plethora of myopic, nationalistic identifications. He was horrified when German authors began to write about the inherent superiority of German culture, and he remained committed to the idea of unity even as many of the “great” minds of his day abandoned it.

The False Promise of Security

Zweig begins his memoir with the idea that his childhood, and more broadly Austria in the 19th century, can be characterized as the “age of security” (23). At that point, the Habsburg Empire had lasted for almost 1,000 years, and the empire was so well established that “the state itself was the ultimate guarantor of durability” (23). For Europeans living at the turn of the 20th century, the very fact that the Austro-Hungarian state had endured for so long seemed to assure its continued endurance.

By the time Zweig penned his memoir, he understood how flawed that thinking was, and part of his project in this text is to explain to his readers how Europeans were so duped by the “false promise” of this security that they failed to see the looming threat of two world wars. Part of the widespread belief in the illusion of sociopolitical and economic security had its roots in the very ethos of the 19th century. Zweig writes: “In its liberal idealism, the 19th century was honestly convinced that it was on the direct and infallible path toward the best of all possible worlds” (24). The mid- to late 19th century saw the birth of the idea of equality, an interest in the rights of workers and women, and the dawn of an industrial revolution that would usher in an era of unprecedented advancement. Although the Austro-Hungarian Empire in many ways looked back to old traditions, there was a palpable aura of progress in Europe, especially during the latter half of the 19th century.

In addition to the spirit of idealism that lulled Europeans into a false sense of security, Zweig identifies a lack of precedent for conflict on the scale of World War I and World War II. The Habsburg Empire had stood for centuries, as had many of the other “great” powers in Europe at that time, and their stability was taken for granted. Zweig does argue that World War I should have taught Europe a lesson about security and precarity, but he recalls that in Vienna, even as Hitler rose to prominence in neighboring Germany, wealthy members of the Jewish bourgeoisie still went about their lives as normal, attending operas and orchestras in fancy dress, “never guessing that they would soon be wearing the convict garb of the concentration camp” (429).

It is in part because of the strength of this belief of security that the wars hit Europe as hard as they did. Zweig writes again and again about the pervasive refusal to acknowledge the threat posed by expansionist foreign policy, extremist ideology, and nationalism. In narrating the events of his life through the lens of this false promise Zweig hopes to help present and future generations learn from the mistakes of the past.

The Rise of Extremist Ideologies

The rise of extremist ideologies is another key theme of Zweig’s memoir, and he includes in his analysis both left- and right-wing extremism. Nationalism is the overarching menace in the Europe of Zweig’s youth, but he also indicts the fascism of Mussolini’s Italy and Hitler’s Germany as well as the bolshevism that swept Russia and eastern Europe during the early decades of the 20th century.

Part of Zweig’s mistrust of nationalism is rooted in his cosmopolitanism. As a “citizen of the world” (251), he was particularly against the fracturing of the pan-European identification he saw as so central to intellectualism, growth, and unity on the continent. As the member of an empire comprising multiple nations and ethnic groups that, in Zweig’s estimation was largely functional and free of prejudice, he also would have been dubious of an ideology that rested on an isolationist position. Nationalism did fracture Europe, and although he did not live to see the creation of the European Union and the resuscitation of a dream of pan-European identification, there is a way in which the early nationalisms of the 20th century irrevocably altered the Europe that Zweig knew and loved.

He also identified the threat that fascism posed to Europe, in Italy and in Germany. An ideology rooted in anti-democratic values, repression, prejudice, and hatred, fascism represented the greatest threat to the liberal, humanistic values of democratic societies. Nazism, although initially characterized by Hitler as a domestically focused ideology, of course became the greatest threat to European sovereignty that the continent had ever known, and Zweig was horrified to see that the end goal of National Socialism was the Europe-wide creation of a racially homogenous ethno-state.

Zweig saw danger on the left, too. He repeatedly identifies bolshevism as a threat and although he initially admires the Russian Revolution’s seeming dedication to equality, he ultimately perceives it as a threat and remarks after the war that he was happy that Austria had avoided the communist fate of Russia and other states. As moved as he is by the spirit of progress he finds when he visits Soviet Russia, he is also aware of the surveillance state and understands that what he sees on the surface does not necessarily represent the way that society actually functions.

Overall, there is a sense in Zweig’s memoir that extremist ideologies represented the greatest threat to Europe that it had ever known, and that they were the root causes of the wars that fractured Europe, forever altering the continent that he had known as a young man.

The Personal Cost of Exile

Although the portion of this text that documents Zweig’s exile is relatively short, the personal cost of exile is an important theme. Zweig’s suicide can be understood in the framework of many of the themes of this memoir, but none was so personally painful to him as exile, and he was ultimately unable to reconcile himself to being cut off from his homeland.

Zweig’s identity was very much rooted in his European-ness and in the shared pursuit of knowledge that so characterized the intellectual sphere in the Europe in which he came of age. So, there is a sense in which his exile is two-fold: Zweig does find himself geographically exiled, first to England and later to the United States and Brazil, but he is also forced into a state of ideological or identity-based exile, for World Wars I and II imperiled and then rendered obsolete the pan-European cosmopolitanism that was at the core of Zweig’s identity.

He recalls his years in England as being characterized by withdrawal from society. He did not mingle as much among the prominent artists and writers based in London during those years, which stands in marked contrast to his peripatetic travels through the intellectual circles of continental Europe as a young man, particularly in Berlin and Paris. He was unhappy in a country that was geographically and to some extent culturally cut off from the continent, and this sense of alienation only increased as he left London for New York and then Brazil, where although he found topics to write about, he was not immersed in the society that he had always found so inspirational.

World War II in particular robbed him of his pan-European identification. In place of cosmopolitanism, nationalism reigned supreme, and battlefields physically separated different areas of the continent. His cosmopolitanism became a relic of an earlier time; it no longer possible to identify as “European” in the wake of a Nazi invasion of so much of the continent. Without this identification, Zweig found himself utterly lost, and he was never able to recover. He had so little hope that Europe itself would recover that he chose to die by suicide before the end of the war.

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