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48 pages 1 hour read

They Never Learn

Fiction | Novel | Adult | Published in 2020

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Symbols & Motifs

Red

In They Never Learn, the color red symbolizes danger—specifically, the pervasive culture of gender-based violence on campuses. Red is the color of blood, and within various literary traditions, has longstanding associations not only with violence and death, but sexuality and passion. The novel frequently mentions red, and because Gorman University has a culture of sexual harassment and assault, the color can be read as indicative of how widespread this culture is. Crimson is Gorman’s school color, and one of Carly’s first observations about the university is “everything here is red” (20). This statement conveys the danger that is in store for women on school grounds. Red marks the makeup, clothing, and hair of female characters: When Carly arrives at her dorm, she is greeted by an RA wearing a “red Gorman tank top” (9); she herself owns a red Gorman sweatshirt; and Allison applies a “ripe-apple red” lipstick (122) to her for Halloween. These young women are literally marked by the color and thus, symbolically tied to gender-based violence of no volition of their own. Scarlett’s name is a shade of red, and Mina’s “berry red” lips (95) and “red lines” of data (45) mark her as both a love interest and danger—as she is charged with investigating Scarlett’s kills. This danger comes to pass when Mina identifies Viola Vance’s diary in Scarlett’s house, a red text stolen from Kinnear, her ex-husband.

Alcohol

Alcohol is a motif that engages with broader discourse on gender-based violence and campus culture. Inebriated women who survive sexual assaults are often blamed for them by doctors, authority figures, and the media. The #metoo movement sought to flip this script, refocusing blame on perpetuators of sexual harassment and assault. Social drinking is a widely accepted practice in American culture, yet women are stigmatized for doing so and getting hurt. Allison best illustrates this motif, as she is drunk at a party when Bash takes advantage of her. Both her doctor and dean dismiss the attack as her fault, due to her having been inebriated. Before #metoo, this victim blaming was common and unchecked in popular culture and media. This mentality remains to this day, and Layne Fargo uses alcohol-related incidents to challenge it. In a subversion of Allison’s assault, Scarlett uses whiskey to disarm her abuser, Kinnear, taking advantage of his lust to kill him.

Pursuit

Pursuit is an atmospheric motif which builds tension and reinforces the novel as a psychological thriller. The motif largely defines Scarlett’s storyline, as she pursues abusers to kill: The novel begins with her murder of Tyler Elkin, a student and rapist. She lies in wait for him in his garage, and then observes his final moments. As a vigilante, Scarlett, too, is pursued by Mina and police looking into Kinnear’s death. Mina’s pursuit of Scarlett reveals her intellect, making the women a fitting match despite their conflict. This is a purposeful characterization, for Fargo aims to write novels in which women take center stage and showcase their intelligence. By contrast, the men in this novel pursue to victimize: Jasper coerces Mikayla into a relationship, and investigates Scarlett to gain leverage. Likewise, Kinnear and Stright pursue female undergraduates to coerce, and in some cases, assault. These examples of pursuit set the novel’s tone, reinforcing Gorman as a site of danger and predation for women.

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