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Seven years pass since the French invasion of Russia. Tsar Alexander evolves his policies, changing from the liberal views of his early reign to a more reactionary and conservative approach. The narrator reflects that the evolution of a politician’s outlook can complicate their place in history. Historical figures are a mixture of good and bad because they are human. Reducing causality to the actions of so-called great men (such as Napoleon or Alexander) makes for flawed historical analysis. However, the narrator suggests that accepting that events are incomprehensibly complicated paradoxically provides a unified and coherent conception of history. Wars and invasions are the product of a long series of unrelated chance occurrences; they are not isolated incidents but the result of a complex event chain that can never be understood in its entirety.
The narrator views Napoleon’s career as the product of millions of random incidents. His rise to power, his military campaigns, his defeat in Russia, and his reemergence after exile happen more because an untold number of individual decisions and actions take place than because Napoleon is an inherently great man. However, because Napoleon and others around him consider him great, his influence on history becomes outsized. Trying to understand the truth of history will always be impossible because of the sheer complexity of events.
Natasha and Pierre marry in 1813. The marriage is the final moment of happiness in Count Rostov’s life, and he dies a short time later. Nikolai becomes the head of the Rostov family, taking on responsibilities and large debts. Even though he hates the idea of civilian life, he resigns from the army and accepts a job in the civil service. He works hard to maintain the family on a tight budget but feels guilty whenever he is around Sonya. He no longer feels the same love toward her. After an awkward reunion, Nikolai marries Marya Bolkonsky in 1813. He moves his family (including his mother and Sonya) to Bald Hills. Marya’s fortune allows Nikolai to repay all the money his family owes. Then, he grows the family estate and repurchases the land his father was forced to sell. Nikolai’s innate understanding of the serfs’ mindset allows him to make his lands more profitable. He earns the serfs’ respect, and they revere his intelligence. Marya is less passionate about Nikolai’s dedication to the family estate, but she loves him anyway. She provides unfaltering support, and they spend many happy years together. Nikolai is perpetually in awe of his good fortune, wondering what he did to deserve such a dedicated, loving wife. Sonya lives with them and never marries, almost as though she is a family pet. She accepts her position in life and satisfies herself by carrying out small favors for everyone else. Nikolai and Marya occasionally argue, but their love for one another helps them overcome difficult moments.
Natasha has three daughters and a son. Her appearance changes—her slim, youthful figure of the prewar period is now impossible to recognize. Natasha is completely devoted to Pierre. She understands his strange, sometimes obtuse character and loves him all the more for his strangeness. The only interest she has is her family, and she is very possessive about her children. Pierre, believing that families operate in a specific way, allows Natasha to keep a close guard over him. When Denisov comes to visit, he hardly recognizes the young girl he once loved. All she can talk about is her children and the nursery, quickly boring him.
Andrei’s orphaned son Nikolai Bolkonsky lives with the Rostovs. Little Nikolai does not develop a strong bond with his uncle and namesake, Nikolai Rostov, but he considers Pierre a hero. One night, little Nikolai is delighted to stay up late with Pierre and the other men to discuss politics. Pierre and Nikolai Rostov have a long, complicated argument about being a citizen. Pierre believes that people should stand up to their government when they believe the government is wrong. Nikolai Rostov disagrees and expects loyalty from citizens at all times. When the young Nikolai asks whether his father Andrei would have agreed with Pierre, he is delighted when Pierre responds that Andrei would.
Later that night, Nikolai and Marya discuss the evening’s events. Marya keeps a diary in which she charts the children’s development. Her diligence and care astonishes Nikolai. She assures Nikolai that she is entirely in agreement with him about what it means to be a citizen. In another room, Pierre tells Natasha that he cannot comprehend Nikolai’s lack of intellectual curiosity. Natasha asks whether Platon Karataev would agree with Pierre or Nikolai. Pierre admits that the old man would not have appreciated Pierre’s insistence on engaging with big ideas, but he insists that his deceased friend would have appreciated the domestic life that Pierre and Natasha have built together. The young Nikolai falls asleep thinking about Pierre and his father Andrei. He decides that he will work and study hard to become someone great and make his father proud.
The first epilogue takes place seven years after the events of the main story. By this time, the characters have taken up comfortable domestic lives and found some degree of happiness. Pierre and Natasha are married, as are Marya and Nikolai. Both couples have numerous children and spend time together. The epilogue suggests that these happy marriages are the characters’ final reward after difficult lives and many harsh challenges. The wealth and glory that occupied their thoughts many years ago have given way to the warm satisfaction of domestic life. The epilogue frames happy family life as the most satisfying conclusion of all.
Each spouse balances the flaws of their corresponding partner. The gentle, religious Marya tames Nikolai’s naturally violent tendencies. Nikolai provides Marya with the excitement and companionship lacking in her earlier life. Pierre showers Natasha with the attention that she craves, while she provides him with the emotional support needed to pursue his ambitious ideas. Similarly, the characters show that they have learned from others’ mistakes. Marya does not control her children’s lives as her father controlled her childhood. Nikolai’s careful management of the family estate atones for the sins of his father. Pierre’s involvement in the civil service gives his life direction and purpose—he learned from Andrei that dedication to an institution could produce satisfying results, unlike Pierre’s earlier obsessions with the Freemasons or trying to assassinate Napoleon. Natasha learned from her mother that family is fleeting and important, so she treasures every moment with her husband and children. By suffering through tragedy, the characters have learned and become more rounded people.
However, not every character gets to be happy. In the background of the epilogue, we see Sonya, who lives with Nikolai and Marya even though the ghost of her love for Nikolai continues to haunt the marriage. After releasing Nikolai from his promise to marry her, Sonya never finds love. Many benefit from her sacrifice, but Sonya’s life is one of solitary dedication to doing favors for others. Sonya’s fate adds a tragic element to the end of the novel, tempering the happiness of the other characters, though she accepts her fate with the stoic heroism of a soldier in a battle. Her self-sacrifice reminds readers of the men butchered on battlefields earlier in the novel. War and peace each contain elements of the other.
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