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67 pages 2 hours read

You Could Make This Place Beautiful: A Memoir

Nonfiction | Autobiography / Memoir | Adult | Published in 2023

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Pages 79-139Chapter Summaries & Analyses

Pages 79-114 Summary

Please Don’t

Three months before finding the postcard, Smith attends a conference and signs copies of her book at the event’s book fair. Smith can’t shake the feeling that she has left her work—caring for the home and the children—and that her husband is “covering” for her, and she wonders why she should feel this way.

The Spreadsheet

Smith creates a list of all the tasks that are her responsibility in the marriage. She realizes that her marriage is not dissimilar from her mother’s marriage. Smith’s mother stayed at home and did not go to college, and yet her duties and Smith’s duties in their marriages are identical. The poet wonders whether her children will grow up to view their father’s job as more “real” than her own. When she leaves on a business trip, her husband makes her feel as though she is in trouble for inconveniencing him and his work.

On Second Thought

Smith answers the question she poses in the previous chapter. Her children will view her husband’s work as more important than her own, but she recognizes that part of the reason for this is her own behavior: “Marriages are cocreated. Whatever ours looked like, we built that together” (82).

Bruises

Rhett undergoes surgery for chronic ear infections. A few weeks after the surgery, he is diagnosed with vasculitis. Meanwhile, Smith’s husband comes home with a new luxury car and expensive sunglasses. One week later, she finds the postcard.

In the Beginning

Smith tells no one about the postcard or the pinecone. She suggests to her husband that they attend marriage counseling, and he agrees. Smith hopes to fix the marriage before anyone notices that it is broken.

Pinecone

A friend’s husband refers to the woman Smith’s husband is having an affair with as “Pinecone.”

Crying on the Couch

Smith and her husband begin marriage counseling. The counselor arranges for Smith to stay for half an hour after her husband leaves to process her emotions. Smith never shares about her husband’s infidelity or the postcard; instead, she believes that the affair is a symptom of a larger problem that can be discovered in therapy.

The Play

In the play version of Smith’s divorce, the Finder sits next to her husband on the couch in front of a marriage counselor. The focus of the discussion is the Finder’s work travel. The Husband is angry that his wife works all the time, and that their children see her working all the time. The Finder points out that she works from home and fewer hours than her husband.

A Note on Conflict and Crisis

Smith notices a distinct difference between how her husband’s work is valued and considered in comparison to her own: “He didn’t need permission to do his work. He didn’t have to ask me to ‘cover for him’ while he worked” (90). Her husband disdains her work travel, but Smith makes an effort to ease his time while she is gone. She turns down speaking engagements and comes home early when her husband gets a fever, something that her husband would never do if he was away on business. Smith places her husband’s desires and temper above her own desires and needs.

Smith asks the reader to accept her story as it is and to derive something from it. She cannot do the difficult work of creating meaning; she can only present her story as it is.

The Last Family Vacation

After a month of marriage counseling, the family takes a summer beach trip. Smith feels unable to shake her sadness and spends most of her time inside with her daughter.

It Isn’t About the Waves

After the trip, her husband complains to their marriage counselor that Smith spent the vacation writing rather than playing in the waves. Smith holds inside many of the things she felt on the vacation—how she wanted to disappear, how the ocean makes her feel unsafe, and how the sadness will not leave.

The Water

During an explosive argument, Smith picks up a cup and throws it. Although she is not proud, she cannot feel sorry for expressing her anger fully for the first time.

Taking Down the Pictures

Smith and her husband stop speaking to one another. She tells him that she read his notebook and saw the postcard, and he reacts with anger. After another fight, he leaves and does not return. On an impulse, Smith takes down every picture of him in their home.

Something Like Relief

In counseling, Smith announces that she is tired of focusing solely on what her husband needs and wants from her to be happy. She notes that the counselor looks relieved to hear her say it. She confesses about finding the postcard, and the couple decides to separate.

A Note on Plot

Smith realizes that all the good things that have happened to her were simultaneously detrimental to her marriage.

Some People Ask

Smith confronts a common question she faces: “Was it always like this?” (102). She considers answering in full, providing every detail. Instead, she admits that in some ways her marriage was and in others it was not “like this.”

Bank Lollipops

When she learns her husband has removed exactly one half of all the funds from their joint accounts, she takes her children to the bank to withdraw the rest. When she is done, she asks the teller for three suckers, two for her children and one for herself.

Grounds

Divorce paperwork requires a reason for the separation, and Smith feels that “irreconcilable differences” does not cover it.

 

This Moment Isn’t for You

Smith will not share the story of telling their children they are getting a divorce. She believes that is their own story to tell, when and if they feel like doing so.

Bittersweet

Rhett celebrates his sixth birthday with two parties, one with his mother and one with his father. Smith bakes him a chocolate cake from Alice Medrich’s Bittersweet cookbook.

Keep Moving

Smith writes a tweet as a reminder to herself and others to keep moving, even while sitting with grief and anger. This is the beginning of a practice that later leads to a book.

Ghost Story

Smith feels like a ghost. Before the divorce, while still in the house with her husband, she felt invisible.

Lucky Thirteen

On their thirteenth wedding anniversary, Smith sits in her lawyer’s office to finalize paperwork for the divorce. She receives a phone call from a friend who contacts her each year on her anniversary. After she leaves the office, she sends her friend an email, explaining what has happened.

Pages 115-139 Summary

Updating and Unblurring

Smith’s husband moves into a rental house a few blocks away. One day, she looks through the timeline of photos of her house on Google Maps. She takes note of how her life has changed with each passing year and thinks about what the next picture will look like with only one car in the driveway.

On Second Thought

Rather than a tell-all, Smith sees this as a journey of finding.

A Friend Says Every Book Begins with an Unanswerable Question

This chapter poses the question, “what is mine” (119).

The Edits

The essay that will later become the chapter “Updating and Unblurring” is set to be published in the New York Times’ “Modern Love” column. Prior to publication, Smith sends the essay to her husband for his approval. His lawyer contacts Smith’s lawyer, demanding that she pull the piece. Smith reaches out to her husband again, inviting him to submit edits. He suggests she delete any mention of her grief or sadness and includes details about his own contributions to the house. Smith decides to publish the piece as it was written originally.

Sad-Ass Divorce Dreams

During the divorce, Smith often wakes from dreams about her husband. In one, she and her husband embrace, and none of the anger or animosity is there. In others, they call off their divorce or decide to marry a second time.

About the Body

At her yearly physical, Smith realizes that her divorce has affected more than just her mind. She is thin and struggling with depression.

A Note on the Title

Smith recognizes that the title seems too happy for the content of the work.

Ghost Story

Rhett tells his mother that he knows his parents love him, but he has lost his family. Smith feels the house is haunted with the ghost of their family.

The Stages

Smith watches her daughter go through phases in her friendships and recognizes the same phases in her divorce.

A Note on Character

Smith has been in a relationship her entire adult life. She proposes that there are two potential truths hidden within this fact: Either she is highly desirable, or she is uncomfortable with being alone.

A Note on Plot

Smith wonders when the story will end.

On this Day

Shutterfly offers pictures from eight years ago that Smith does not want to see.

Picture of My Dress

A Twitter interaction between Smith and John Darnielle from the band The Mountain Goats leads to a song on the band’s new album. The song is titled “Picture of My Dress.”

Rewinding the Film

Smith imagines rewinding everything that has happened and realizes there is no safe time frame to return to.

Some People Ask

Some ask Smith whether she is grateful for her marriage because it gave her Violet and Rhett. She considers explaining that she would not miss her children if they had never been born. Instead, she responds that she cannot imagine living without them.

Bittersweet

Smith visits a cabin that she and her husband rented frequently when they were married. She tries to do independently all the things they did there together in the past. Their cabin was named “Bittersweet.”

A Friend Says Every Book Begins with an Unanswerable Question

In this chapter, Smith offers the following question: “how to grieve” (139).

Pages 79-139 Analysis

This section expands upon the theme of Patriarchal Expectations in Contemporary Marriage. Smith reveals how her identity shifts as she grapples with the end of her marriage, but she also shows how contemporary gender roles in marriage contributed to the conflict. Although she and her husband both work full time, she is responsible for the majority of home maintenance and childcare. The discovery of the postcard sharpens her focus on the inequity she experiences in her marriage. Her children and those around her view her husband’s work as more legitimate because it happens outside of the home and takes precedence over her own work as a writer. When her husband travels for his job, she carries on taking care of the children and managing the household. When she travels for speaking engagements and book signings, she takes extra care to ease the burden on her husband. When her son has a fever, her husband calls and demands that she return home—something she would never do if the roles were reversed. Although she recognizes that resentment toward her success as a writer may play a role, her story is common. Smith points out that many women are the primary caregivers in their households as well as the primary earners. Unfortunately, because Smith and other women fulfill the role of care in their homes, that leaves no one to provide care for them.

This makes Smith feel like a ghost in her own home, revealed through the repeated title “Ghost Story.” Her work is invisible to her children and husband, even though she does it in the home. They do not see what she does around the house or the way she cares for them, nor do they see her job as real, since she works at home. Her husband sees only how her job as a writer takes away her time from him and their children. As their marriage crumbles, Smith feels that she has become even more transparent. She and her husband still live together, but they do not speak or look at one another. Later, Smith feels her entire history dissolve into nothingness. Her son mourns the loss of family, and she feels as though she is watching the memory of family disappear.

This section of the memoir represents an important part of the grieving process, contributing to the theme of Divorce as Loss. Denial and isolation are one step in the cycle of grief, and Smith experiences both. She clings to their marriage even after discovering the postcard, and she conceals what she knows from her husband and their marriage counselor. During their vacation at the beach, Smith feels separate from her family—isolated and alone. Following this stage, individuals experiencing grief often enter a stage of anger. Smith experiences this step of mourning. She yells at her husband and throws a cup at him. Although she recognizes it is a childish act, she cannot apologize for her anger. When she acknowledges her anger in the counselor’s office, her therapist looks relieved. Smith is finally recognizing that she is not the only contributor to her marriage’s failure and that she should not suppress her feelings for the sake of peace.

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